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Contempt

Contempt

A 長編映画 by Jean-Luc Godard

Produced by Les Films Marceau, Rome-Paris Films

Release in France : 20/12/1963

    あらすじ

    American film producer Jeremy Prokosch (Jack Palance) hires respected Austrian director Fritz Lang (playing himself) to direct a film adaptation of Homer's Odyssey. Dissatisfied with Lang's treatment of the material as an art film, Prokosch hires Paul Javal (Michel Piccoli), a novelist and playwright, to rework the script. The conflict between artistic expression and commercial opportunity parallels Paul's sudden estrangement from his wife Camille Javal (Brigitte Bardot), who becomes aloof with Paul after being left alone with Prokosch, a millionaire playboy.

    While founded on Alberto Moravia's story of the progressive estrangement between a husband and wife, Godard's version also contains deliberate parallels with aspects of his own life: while Paul, Camille, and Prokosch correspond to Ulysses, Penelope, and Poseidon, respectively, they also correspond in some ways with Godard, his wife Anna Karina (his choice of female lead), and Joseph E. Levine, the film's distributor. At one point, Bardot dons a black wig which gives her a resemblance to Karina. Michel Piccoli also bears some resemblance to Brigitte Bardot's ex-husband and Svengali, the filmmaker Roger Vadim.

    Also notable in the film is a discussion of Dante – particularly Canto XXVI of Inferno, about Ulysses' last fatal voyage beyond the Pillars of Hercules to the other side of the world – and Friedrich Hölderlin's poem, "Dichterberuf" ("The Poet's Vocation").

    俳優 (8)

    映画製作・配給会社 (4)

    製作代表 :

    Les Films Marceau, Rome-Paris Films

    Film exports/foreign sales :

    STUDIOCANAL

    共同製作 :

    Compagnia Cinematografica Champion

    フランス国内配給 :

    Cocinor

    興行成績:総合

    興行成績:タイムライン

    International releases (9)

    映画配給会社バイヤー劇場公開日

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    TV Broadcasts: Cumulative total

    TV broadcasts: details by country

    Subject

    Production
    Italian film producer Carlo Ponti approached Jean Luc Godard to discuss a possible collaboration; Godard suggested an adaptation of Moravia's novel Il disprezzo (originally translated into English with the title A Ghost at Noon) in which he saw Kim Novak and Frank Sinatra as the leads; they refused. Ponti suggested Sophia Loren and Marcello Mastroianni, whom Godard refused. Finally, Bardot was chosen, because of the producer's insistence that the profits might be increased by displaying her famously sensual body. This provided the film's opening scene, filmed by Godard as a typical mockery of the cinema business with tame nudity. The scene was shot after Godard considered the film finished, at the insistence of the American co-producers. In the film, Godard cast himself as Lang's assistant director, and characteristically has Lang expound many of Godard's New Wave theories and opinions. Godard also employed the two "forgotten" New Wave filmmakers, Luc Moullet and Jacques Rozier, on the film. Bardot visibly reads a book about Fritz Lang that was written by Moullet, and Rozier made the documentary short about the making of the film, Le Parti Des Choses.

    Contempt was filmed in and occurs entirely in Italy, with location shooting at the Cinecittà studios in Rome and the Casa Malaparte on Capri island. In a notable sequence, the characters played by Piccoli and Bardot wander through their apartment alternately arguing and reconciling. Godard filmed the scene as an extended series of tracking shots, in natural light and in near real-time. The cinematographer, Raoul Coutard, shot some of the seminal films of the Nouvelle Vague, including Godard's Breathless.

    Reception
    One of the most notable blurbs about the film: Sight & Sound critic Colin MacCabe called Contempt "the greatest work of art produced in postwar Europe."

    Antoine de Gaudemar made a 1-hour documentary in 2009 about Contempt, Il était une fois... Le Mépris (A Film and its Era: Contempt)[2] which incorporated footage from Jacques Rozier's earlier documentaries Paparazzi (1963), Le Parti Des Choses (1964), and André S. Labarthe's Le dinosaure et le bébé (1967).

    Source : Wikipedia

    Photos (9)

    クレジットタイトル詳細 (13)

    製作代表 :

    Georges de Beauregard , Carlo Ponti, Joseph E. Levine

    原作者 :

    Alberto Moravia

    Directors of Photography :

    Raoul Coutard, Alain Levent

    撮影技師アシスタント :

    Joe D'Amato

    Editors :

    Agnés Guillemot, Lila Lakshmanan

    作曲家 :

    Georges Delerue, Piero Piccioni

    メイク :

    Odette Berroyer

    監督補佐 :

    Charles Bitsch

    シナリオライター :

    Jean-Luc Godard

    録音技師 :

    William-Robert Sivel

    Production managers :

    Philippe Dussart, Carlo Lastricati

    スクリプト :

    Suzanne Schiffman

    Costume designer :

    Tanine Autré

    技術面詳細

    長編映画

    ジャンル :

    フィクション

    サブジャンル :

    ドラマ

    言語 :

    フランス語, 英語, ドイツ語, イタリア語

    出身 :

    フランス, イタリア

    Original French-language productions :

    はい

    製作国 :

    大部分フランス (フランス, イタリア)

    製作年 :

    1963

    フランス公開 :

    20/12/1963

    上映時間 :

    1 時間 43 分

    経過状況 :

    公開済み

    ニュメロ·デ Visa :

    27.515

    CNC助成 :

    はい

    カラータイプ :

    カラー

    画面セット :

    2.35

    Audio format :

    モノラル

    Posters (9)

    監督

    ニュース

    映画祭でのセレクション (3)