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Le Bon Dieu sans confession - Poster France

Le Bon Dieu sans confession

A 長編映画 by Claude Autant-Lara

Produced by Les Films Gibé

Release in France : 09/10/1953

    あらすじ

    Stuck in a loveless marriage, bourgeois industrialist Francois (Henri Vilbert) falls in love with Janine (Danielle Darrieux), another man's wife. Francois sets up Janine as his mistress, and she, mercenary soul that she is, likes the set-up so much that she continues the relationship even when her own husband returns from WW II. In the long run, however, Janine is the loser in the situation...

    Source : allmovie.com

    俳優 (17)

    映画製作・配給会社 (3)

    製作代表 :

    Les Films Gibé

    フランス国内配給 :

    Pathé Consortium Cinéma

    Film exports/foreign sales :

    StudioCanal Films Limited

    TV Broadcasts: Cumulative total

    TV broadcasts: details by country

    Subject

    Review

    "A priest is a defeated man, a man who has given up !", the son says to his bourgeois father. How not to think of Autant-Lara's previous masterpiece Douce (1943) where the old dowager (Marguerite Moreno) consoled the Poor : "patience and resignation". Paul Vialar's novel "Mpnsieur Dupont est mort" takes place during M. Dupont 's funeral. Behind the hearse, all those who have known him, wife, children, platonic lover, associate, they all remember... Monsieur Dupont, who used to look as if the butter wouldn't melt in his mouth, was a good man. He was a bastard too.

    The movie was faithful to the novel, but as Danielle Darrieux played the lover, her part needed developing. In the book, each character had a chapter. In the movie, Darrieux's prominent part throws the film off balance : the parts of the son -probably the hardest scene of the movie- and the daughter suffered accordingly.

    This is a good Claude Autant-Lara effort though, the construction of the film is clever, sometimes flouts chronology, which makes sense for the flashbacks come from different persons. All these memories which come back to haunt them resurface as the funeral procession is slowly getting to the church. Autant-Lara spares us the ceremony and his final message is a message of hope : the three young people hand in hand might represent a hope for a better future, recalling Fabien and Irene when they were leaving the aristocrats' house, with Christmas carols everywhere, in Douce.

    Source : IMDb

    クレジットタイトル詳細 (15)

    Assistant director :

    Ghislaine Autant-Lara

    原作者 :

    Paul Vialar

    Screenwriters :

    Claude Autant-Lara, Roland Laudenbach, Ghislaine Autant-Lara

    録音技師 :

    Robert Biard

    製作部長 :

    Louis Wipf

    スクリプト :

    Denise Gaillard

    Costume designer :

    Monique Plotin

    演出助手 :

    Lucien Lippens

    Dialogue Writer :

    Ghislaine Autant-Lara

    プロデューサー :

    Joseph Bercholz

    フォトディレクター :

    André Bac

    撮影技師 :

    Jacques Natteau

    Editor :

    Madeleine Gug

    装飾 :

    Max Douy

    スチールマン :

    Walter Limot

    技術面詳細

    長編映画

    ジャンル :

    フィクション

    サブジャンル :

    人生ドラマ

    テーマ :

    死, 悲しい

    言語 :

    フランス語

    Original French-language productions :

    不明

    製作国 :

    100%フランス

    製作年 :

    1953

    フランス公開 :

    09/10/1953

    上映時間 :

    1 時間 52 分

    経過状況 :

    公開済み

    ニュメロ·デ Visa :

    14080

    ビザ発行日 :

    01/09/1953

    CNC助成 :

    不明

    生産のフォーマット :

    35ミリ

    カラータイプ :

    白黒

    画面セット :

    1.37

    Audio format :

    モノラル

    禁止 :

    なし

    Posters (1)

    監督

    映画祭でのセレクション

    ヴェネツィア国際映画祭 - 1953

    ヴェネツィア国際映画祭 (イタリア, 1953)

    Selection

    公式コンペティション

    受賞