あらすじ
In Dieppe, a taciturn young man is fascinated by a woman whom he has only seen in the street. One day, he leaves Dieppe and Lola, the girl he was living with. He becomes a truck-driver. In the Middle East, Christian's travels end in a prison in the heart of the desert. There he meets Eliot who lives an isolated life within the prison environment. Since Eliot talks, Christian who was mute up to that point, listens then speaks too. But Eliot receives letters from a woman: Marie. And Christian starts dreaming that she's the woman he saw on the streets of Dieppe...
クレジット
監督 (1)
俳優 (7)
映画製作・配給会社 (3)
クレジットタイトル詳細 (13)
- 製作代表 : Maurice Bernart
- Screenwriters : Michael Sadler, Louis Gardel, Alain Centonze
- フォトディレクター : Bruno Delbonnel
- Assistant directors : Catherine Bernstein, Tatiana Vialle
- Editors : Joële Van Effenterre, Anne-Marie Leduc
- Sound recordists : Matthieu Imbert, Pierre Martens
- Costume designers : Fabienne Katany, Brigitte Nierhaus
- 音声アシスタント : Jean-François Schenegg
- 撮影技師アシスタント : Béatrice Mizrahi
- 報道担当(映画) : Eva Simonet, Nathalie Gorgon
- 製作アシスタント : Florence Leonnet
- Production Designers : Michèle Abbé, Vincent Mateu
- キャスティング : Tatiana Vialle
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 人生ドラマ
- 言語 : フランス語
- その他の国の共同制作者 : フランス (100.0%)
- Original French-language productions : 不明
- 製作国 : 100%フランス (フランス)
- 製作年 : 1995
- フランス公開 : 10/01/1996
- 上映時間 : 1 時間 25 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 85.324
- ビザ発行日 : 10/05/1995
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- 画面セット : 1.85
ニュース&アワード
About
"Communicating : in a world where the idea of exchange is commonplace, we have never had so much trouble communicating. Speaking : for the characters, communication is at a standstill. Everything opposes Christian who doesn't like and doesn't know how to speak, with Eliot who talks about himself and tells stories. Writing : the cement of the bond between the two men are letters that Eliot receives from a woman and to which he never replies : one-way communication. This could have been the theme of a novel. The exciting thing was working on the paradox : being cinematic with a literary theme; being concrete (the truck driver) in the face of a distant dream (the journey); being locked away (the prison) in the most open space possible; being everyday and commonplace (Dieppe, grey and blue) and, at the same time, exotic in an unidentified land of the Middle East. The difficulty of being with one's fellow man, as Wenders puts it, "far away, so close".
(Alain Centonze)