あらすじ
A housing project. Stairwells, basements, parking-lots, and concrete. Torn between North African and French tradition, Mezz, Aziz, Laurent, Nordine, Poisson and all the other kids have created their own culture blending Rap and Raï, their own language and a vivid, incisive sense of humour. In this world of concrete, fights, dope and deals, hope rears its head from time to time. Djamel has hope. He wants to get out of this pit. He has a job and doesn't want any hassle. But his drug-addict brother stops him breaking away. Djamel loves Sahlia and respects her. Sahlia loves Djamel too but she wants to live like a French girl her age, without her brother keeping a constant eye on her virginity, without mothers arranging marriages for her and without the burden of life in the projects. The film uses Raï music and the northern suburbs of Paris to present a gallery of characters struggling with their hopes, problems and conflicts.
クレジット
監督 (1)
俳優 (20)
映画製作・配給会社 (4)
クレジットタイトル詳細 (14)
- 製作代表 : Aïssa Djabri, Farid Lahouassa
- Screenwriters : Thomas Gilou, Sonia Kronlund, Aïssa Djabri, Messaoud Hattou, Djamila Djabri, Cyril Collard
- フォトディレクター : Jean-Jacques Bouhon
- 作曲家 : Eric Michon
- 監督補佐 : Patrick Roques
- 録音技師 : François Waledisch
- Costume designer : Pierre-Yves Gayraud
- 音声アシスタント : Pascal Despres
- 製作部長 : Bernard Bolzinger
- 報道担当(映画) : Laurette Monconduit
- 音声編集担当 : Pierre Choukroun
- サウンド・ミキサー : Florent Lavallée
- スチールマン : Isabelle Simon
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- 言語 : フランス語
- Original French-language productions : 不明
- 製作国 : 100%フランス
- 製作年 : 1994
- フランス公開 : 28/06/1995
- 上映時間 : 1 時間 29 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 86.152
- ビザ発行日 : 20/07/1995
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- 画面セット : 1.85
興行収入・公開作品
ニュース&アワード
映画祭でのセレクション (1)
受賞 (1)
代表団 (1)
About
At twenty-one, Tabatha Cash claims to have twenty-one years of experience. The former porn star now works for television, radio and "mainstream" cinema. Thomas Gilou offered her a part set in a world that she knows well :
"... The fact I was born in the suburbs, twenty-one years ago, and spent seventeen years in a housing project gave me the best possible start in life. I owe the suburbs everything. I had fun there, a wild time even if there were harder, more depressing times. Within a housing project, people bond in a way that you don't find between guys and girls anywhere else. "Raï" shows the friendship, love and humour as they truly are (...)"
(Tabatha Cash - From an interview with Alain Grasset - Le Parisien)