あらすじ
After a family tragedy for which he feels guilty, Ismael, 25 and his young brother Mouloud, 14, leave Paris to visit their uncle's family in Marseille where they are warmly welcomed. Actually, Ismael is given the responsability to take Mouloud to Tunisia where his parents now live. But Mouloud refuses categorically. To escape this departure, he runs away with the complicity of his cousin Rhida, and gets together with Renard, a dangerous local drug dealer. Ismael desparetely seeks his young brother in this multiracial town which rejects and attracts him...
クレジット
監督 (1)
俳優 (11)
映画製作・配給会社 (5)
- 製作代表 : ADR Productions
- Co-productions : Société Nouvelle de Cinématographie (SNC), Arte France Cinéma
- Foreign production companies : Thelma Film AG, Compagnie Méditerranéenne de Cinéma (CMC)
- Film exports/foreign sales : Pyramide International
- フランス国内配給 : Diaphana
クレジットタイトル詳細 (15)
- 製作代表 : Alain Rozanes
- シナリオライター : Karim Dridi
- フォトディレクター : John Mathieson
- 作曲家 : Steve Shehan, Jimmy Oihid
- Assistant directors : Christophe Delmas, Bania Medjbar, Fred Nicolas
- Editor : Lise Beaulieu
- 録音技師 : Laurent Lafran
- Costume designer : Emmanuelle Pertus
- アソシエートプロデューサー : Ilann Girard
- 撮影技師アシスタント : Jérôme Olivier, Philippe Ramdane, William Watterlot
- Production manager : Muriel Paradis
- 報道担当(映画) : Robert Schlockoff
- 音声編集担当 : Jean Gargonne
- 装飾 : Gilles Bontemps
- サウンド・ミキサー : Jean-Pierre Laforce
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 心理ドラマ
- 言語 : フランス語
- 出身 : スイス, ベルギー, フランス
- Original French-language productions : はい
- 製作国 : 大部分フランス (スイス, ベルギー, フランス)
- 製作年 : 1995
- フランス公開 : 30/08/1995
- 上映時間 : 1 時間 45 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 82.809
- ビザ発行日 : 22/08/1995
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- 画面セット : 1.66
- Audio format : ドルビーA
興行収入・公開作品
ニュース&アワード
映画祭でのセレクション (4)
Cairo - International Film Festival
エジプト, 1996
コンペティション外作品
About
"The theme of the film is guilt, or how a man confronted with his own guilt manages to free himself from it and become someone who acts instead of someone who submits. It just so happens that this character is a French person of North African origin. In this way, "Bye-Bye" sets itself apart from traditional French cinema. In general, the image of the Arab often has a negative aspect. At best, he is a victim and is looked on with pity and paternalism. I believe in the richness of the melting-pot and sincerely think that our country has everything to gain from learning how to use differences as a bonus and not as a handicap. "Bye-Bye" means saying good-bye to things that are too heavy to carry. I think that one should always keep heading forward while holding one's head high. Mourning does not necessarily mean forgetting."
(Karim Dridi)