あらすじ
In a weird city that resembles Paris, but a strange Paris like a place in the middle of nowhere, a chaotic Paris divided by a wall like Berlin where all the landmarks have changed places, Mac Bee rules as absolute master. Recently, a murderer has been killing off the despot's family. His brothers, his sons... nobody is safe. Haunted by his terror of disease, the old man has turned his palace into an hospital. Every day he has his doctors check the progress of a strange blue stain on his neck which prefigures his death. One day, news arrives like a bolt from the blue: Tykho Moon is still alive. Twenty years ago, Tykho Moon was the only organ donor compatible with the tyrant. Samples of his cells which could delay Mac Bee's ageing process were taken from him. Now, he represents to the dictator the possibility of that insane dream : immortality...
クレジット
監督 (1)
俳優 (19)
映画製作・配給会社 (4)
- 製作代表 : Salomé
- Foreign production companies : Schlemmer Film, Nova Films
- Film exports/foreign sales : France tv distribution, Tamasa Distribution
- フランス国内配給 : Steward
クレジットタイトル詳細 (18)
- 製作代表 : Maurice Bernart
- Screenwriters : Enki Bilal, Dan Franck
- フォトディレクター : Éric Gautier
- 作曲家 : Goran Vejvoda
- Assistant directors : Jean-Christophe Delpias, David Brel, Andréas Meszaros
- 編集担当 : Thierry Derocles
- Sound recordists : Jean-Louis Ughetto, Robi Guver
- Costume designer : Esther Walz
- エグゼクティブプロデューサー : Alain Centonze
- 撮影技師 : Stéphane Fontaine
- 報道担当(映画) : Dominique Segall, Marco Martin
- Assistant editor : Sylvie Petat
- 製作アシスタント : Florence Leonnet
- スクリプト : Michèle Andreucci
- 装飾 : Jean-Vincent Puzos
- Art director : Ana Montañana Alba
- サウンド・ミキサー : François Groult
- スチールマン : Astrid Wirth
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : SF
- 言語 : フランス語
- 出身 : フランス, ドイツ, イギリス
- Original French-language productions : 不明
- 製作国 : 大部分フランス (フランス, ドイツ, イギリス)
- 製作年 : 1996
- フランス公開 : 05/03/1997
- 上映時間 : 1 時間 47 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 86.659
- ビザ発行日 : 11/12/1996
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- 画面セット : 1.85
興行収入・公開作品
ニュース&アワード
About
My artistic emotions have always been nourished by films. When I was a kid, I'd go to see American movies and then immediately redraw what I'd seen. My initial inspiration came from film directors rather than comic strip artists: Kubrick, of course, Tarkovski, even when it's long and slow, Peter Watkins, so atypical. But the aesthetics we all possess are those of memory. I remember a mass of buried images, not necessarily beautiful ones, of my home city, Belgrade, heavy and ruined, inelegant but so much alive. This memorized subconscious has a great influence on my drawing. I don't like drawing reality. Nor filming it. (...)" (Enki Bilal, interview with Laure Garcia, Le Nouvel Observateur)