あらすじ
Italy, 1610. Artemisia Gentileschi is 17-years-old. Her father, Orazio, a celebrated artist, has conferred to her his passion for painting. A forbidden passion at that time because women were not allowed to study at the Academy or ask a male model to pose nude. Artemisia, however, persists in her passion. One day on the beach, Artemisia sees a man, Agostino Tassi, an artist experienced in the latest painting techniques. She is troubled and frightened by this arrogant man who so readily engages in debauchery. Orazio shares with Tassi a commission to paint religious frescos in a church. Artemisia obtains permission from her father for Agostino to teach her something that she still has not learned: the art of perspective. Gradually the lessons between the teacher and the student take an another form. It is not just painting that Agostino can teach Artemisia, but also passion. The body is no longer an object which one paints, but a place of desire, suffering and pleasure...
クレジット
Director (1)
俳優 (9)
映画製作・配給会社 (5)
- 製作代表 : Première Heure
- 共同製作 : France 3 Cinéma
- Foreign production companies : Schlemmer Film, 3 Emme Cinematografica
- Film exports/foreign sales : Orange Studio
- フランス国内配給 : Polygram
クレジットタイトル詳細 (10)
- 製作代表 : Patrice Haddad
- Screenwriters : Agnès Merlet, Christine Miller
- フォトディレクター : Benoît Delhomme
- 編集担当 : Guy Lecorne
- 録音技師 : François Waledisch
- Costume designer : Dominique Borg
- 報道担当(映画) : Laurence Granec
- 音声編集担当 : Pierre Choukroun
- 装飾 : Antonello Gelleng
- スチールマン : Umberto Montiroli
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : Biopic, ドラマ, ロマンス
- 言語 : フランス語
- 出身 : フランス, ドイツ, イタリア
- Original French-language productions : はい
- 製作国 : 大部分フランス (フランス, ドイツ, イタリア)
- 製作年 : 1997
- フランス公開 : 10/09/1997
- 上映時間 : 1 時間 38 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 87.831
- ビザ発行日 : 05/09/1997
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- 画面セット : 1.85
興行収入・公開作品
ニュース&アワード
映画祭でのセレクション (2)
About
"Artemisia" tells the story of a double initiation; into the art of painting and the art of loving. Orazio uses his daughter to obtain wealth. Too absorbed in his business dealings, he neglects his affective relationship with Artemisia. He betrays her in order to succeed professionally and socially.To save herself, Artemisia rediscovers her own gut creativity and takes her destiny in hand, somewhat like the Grimm's fairy tale "The young girl with no hands". It is always the heroines who have their hands cut off, never the heroes: an expression of feminine creativity stemmed by patriarchal culture. Agostino, in teaching her about perspective, reveals to her not just a new form of freedom, but also another way of using her body. In giving herself over to this anatomical quest she discovers sexual desire. What interested me, was to work on that upsurge of disturbing feelings which accompany awakening sexuality and which can result in artistic creation. Brutally, in an almost unconscious way; she discovers love and the reality of sex on the road of artistic apprenticeship, and is utterly transformed." (Agnès Merlet)