あらすじ
While pregnant with her first child, Emma learns that she has breast cancer. Her doctor advises an abortion; recommended treatment is, according to him, incompatible with pregnancy. Her partner, Simon, encourages Emma to consult another specialist, Dr. Morin, who maintains that treatment can be carried out even while she's pregnant. Emma regains her confidence. The body that had let her down becomes a source of life: now she must fight for two.
クレジット
Director (1)
俳優 (19)
映画製作・配給会社 (4)
- 製作代表 : Agat Films - Ex nihilo
- Co-productions : Entre Chien et Loup, R.T.B.F.
- Film exports/foreign sales : Playtime
- フランス国内配給 : Diaphana
クレジットタイトル詳細 (18)
- 製作代表 : Patrick Sobelman
- Screenwriters : Solveig Anspach, Pierre Erwan Guillaume
- Director of photography : Isabelle Razavet
- 作曲家 : Olivier Manoury, Martin Wheeler
- Assistant directors : Véronique Laveissière, Jacques Reboud
- Editor : Anne Riegel
- 録音技師 : Olivier Mauvezin
- Costume designer : Marie Le Garrec
- Foreign producers : Arlette Zylberberg, Diana Elbaum
- Production manager : Nadia Belali
- 報道担当(映画) : Marie-Christine Damiens
- 音声編集担当 : Fred Meert
- 編集アシスタント : Mathieu Blanc
- スクリプト : Marianne Fricheau
- Production Designer : Catherine Keller
- キャスティング : Maya Serrulla
- 映画輸出業者 : Jacques Le Glou
- Sound mixers : Franco Piscopo, Emmanuel De Boissieu
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 人生ドラマ
- テーマ : 病気
- 言語 : フランス語
- 出身 : フランス, ベルギー
- Original French-language productions : 不明
- 製作国 : 大部分フランス (フランス, ベルギー)
- 製作年 : 1999
- フランス公開 : 03/11/1999
- 上映時間 : 1 時間 50 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 94.829
- ビザ発行日 : 28/10/1999
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- 画面セット : 1.66
興行収入・公開作品
ニュース&アワード
映画祭でのセレクション (14)
受賞 (3)
代表団 (4)
About
I met dignified men, women and children. I discovered a world we don't
really speak about. A cold, smooth world of muffled, metallic sounds. Why
me? Why them? How can we make sense of this irrational thing, this disease
eating away at us from inside? Where can we find the strength necessary to
face each day and continue down the path of debiltating treatments which
seems like it will never end? The film's objective was to get to the heart
of this battle in a purely clinical way. All the details, nothing
elliptical, close in on the faces. I don't look at the couple in a
passionate way; distance and humor keep me from sinking. "Haut les coeurs
!" isn't a film about courage. My characters aren't heroes, they have no
choice. They're obliged to fight.
Solveig Anspach - Director, excerpt from the press folder