あらすじ
Roman lady Hélène meets and falls in love with a young Greek man Lysias. He is betrothed to another woman who, to win him back, acquires a potion to make him love only her. The potion was prepared by the Egyptian priest, Arbax, who has a grudge against Lysias, and is not what it seems, it is intended to drive whoever takes it insane. Hélène's new slave is also in love with Lysias. She steals the potion and gives it to Lysias, who hurries away in a mad rage. When the slave girl confronts Arbax, she is killed by the evil priest, and Lysias is charged with her murder.
Source : IMDb
クレジット
監督 (1)
俳優 (12)
映画製作・配給会社 (3)
- 製作代表 : Universalia Film, Franco-London Films
- Film exports/foreign sales : Gaumont
- フランス国内配給 : Franco-London Films
クレジットタイトル詳細 (10)
- Screenwriters : Marcel L'Herbier, Paolo Moffa, Antonio Pietrangeli, Jean Laviron, Diego Fabbri, Pierre Brive
- せりふ作者 : Alexandre Arnoux
- フォトディレクター : Roger Hubert
- 作曲家 : Roman Vlad
- Assistant directors : Claude Heymann, Robert-Paul Dagan, Lucio Fulci
- Editor : Emilienne Nelissen
- プロデューサー : Salvo D'Angelo
- 製作部長 : Paolo Moffa
- 装飾 : Franco Lolli
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 歴史的, ドラマ
- 言語 : フランス語
- 出身 : イタリア, フランス
- Original French-language productions : 不明
- 製作国 : 50%フランス (イタリア, フランス)
- 製作年 : 1948
- フランス公開 : 14/04/1950
- 上映時間 : 1 時間 50 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 8107
- ビザ発行日 : 18/11/1949
- CNC助成 : 不明
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- 画面セット : 1.37
- Audio format : モノラル
興行収入・公開作品
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ニュース&アワード
About
Production
Principal filming took place in the summer of 1948 at the Cinecittà studios in Rome. The amphitheatre scenes were filmed at the Arena di Verona. The production was then interrupted however for nearly a year, and was completed at the GTC studios at Joinville/Saint-Maurice in 1949. The film was released in France and Italy in 1950.
The film considerably simplified the plot of Lytton's novel, and there was some alteration of the names of the principal characters: Glaucus became Lysias, and Ione became Hélène; Nidia was made the victim of Arbax rather than an agent of his defeat. There were impressive set designs and costumes (Aldo Tommasini and Veniero Colasanti), and special effects by B. de Kerblay.
Marcel L'Herbier approached the project as one of the "chroniques filmées" ("filmed histories") which his film work had favoured during the past decade, giving some emphasis to the documentary aspects of the everyday life that had been preserved at Pompeii. He initially approached Albert Camus to write the dialogue (having in mind the latter's play Caligula), but in the event the task was undertaken by Alexandre Arnoux. L'Herbier admitted some reservation about the resulting film in spite of its strong cast and opulent settings.
Source : Wikipedia