あらすじ
Philippe Lutcher, an anarchist, fires a shot at Clara Stuart, a famous stage and screen actress, but only wounds her. The star, through affectation and curiosity to know his motives, pleads in his favour at his trial, but he rebuffs her pity. After he has served 18 months in prison, they meet and fall in love. Philippe however does not really believe in Clara's sincerity, and when he sees incidents from their lives becoming part of her latest film, he leaves her. He vows that their love will continue when he sits in the dark and watches her on the cinema screen.
Source : Wikipedia
クレジット
監督 (1)
俳優 (22)
映画製作・配給会社 (3)
クレジットタイトル詳細 (9)
- シナリオライター : Marcel L'Herbier
- せりふ作者 : Michel Duran
- フォトディレクター : Harry Stradling
- Assistant directors : Jean Dréville, Ève Francis
- 編集担当 : Jacques Manuel
- 録音技師 : Robert Teisseire
- Costume designer : Jacques Manuel
- 原作者 : Henri Bernstein
- 装飾 : Guy De Gastyne
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : ドラマ
- 言語 : フランス語
- Original French-language productions : 不明
- 製作国 : 100%フランス
- 製作年 : 1934
- フランス公開 : 15/09/1934
- 上映時間 : 1 時間 40 分
- 経過状況 : 公開済み
- CNC助成 : 不明
- カラータイプ : 白黒
- 画面セット : 1.33
- Audio format : モノラル
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映画祭でのセレクション (1)
About
Background
In 1934 Marcel L'Herbier held discussions with Charles Boyer on making a film about the actor Edmund Kean, but Boyer, whose career was at that time shifting between France and Hollywood, insisted that he wanted to film Bernstein's play Le Bonheur in which he had recently starred on stage in Paris. The rights to the play were held by the Pathé-Natan company, who also had a contract with Gaby Morlay, the preferred actress of both Boyer and L'Herbier for the other leading role.
Production
Towards the end of filming, L'Herbier suffered an accident when a camera fell on him from an insecure track. He suffered a broken wrist and permanent damage to one eye. He undertook a prolonged legal action against the Pathé company in which the director argued for his status as an 'author' of the film rather than just a technician employed by the company. He eventually won the case, and it marked the first time that a film director in France was legally recognised as having rights of authorship in his work.
Reception
On its release Le Bonheur proved very popular with the public and was mostly well received by the French critics. However, after three years of distribution the film largely disappeared from sight for nearly 40 years. It was only in the 1970s that it was revived and recognised as one of the most significant achievements among L'Herbier's sound films.
In February 1935, the film was shown at the first Moscow Film Festival (albeit too late for the main competition) and it received a special "mention of honour" from the Soviet jury.
Source : Wikipedia