あらすじ
Ferdinand Faure, our hero, comes up from Aix-en-Provence to join the Cartoucherie Theatre company along with his pals : Jean-Claude, a brash, self-assured Parisian, and Max, a teacher of American literature, Provencal to the bone, and in love with his flighty wife, Bernadette. At the Cartoucherie, director Ariane is surrounded by a motley crew including one Clémence, who walks the high wire while juggling with clubs...
クレジット
監督 (1)
俳優 (1)
映画製作・配給会社 (4)
- 製作代表 : La Comédie Nouvelle
- 共同製作 : Mélocartoon
- Film exports/foreign sales : La Comédie Nouvelle
- フランス国内配給 : La Comédie Nouvelle
クレジットタイトル詳細 (8)
- 製作代表 : Véronique Coquet
- シナリオライター : Philippe Caubère
- フォトディレクター : Pascal Caubère
- 編集担当 : Bernard Dartigues
- Sound recordists : Philippe Ollivier, Jean-Louis Richet
- Co-producers : Jacqueline Dartigues, Frédéric Comtet
- Production Designer : Sophie Comtet
- スチールマン : Jean-Claude Bourbault
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- テーマ : 演劇
- 言語 : フランス語
- その他の国の共同制作者 : フランス (100.0%)
- Original French-language productions : 不明
- 製作国 : 100%フランス (フランス)
- 製作年 : 1995
- フランス公開 : 24/01/1996
- 上映時間 : 3 時間 20 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 86.586
- ビザ発行日 : 19/07/1995
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- Audio format : ドルビーSR
ニュース&アワード
About
"Le Roman d'un acteur" :
1 lead role
6 star roles
16 major roles
48 minor roles
44 walk-on roles
Casting closed.
All 115 parts will be played by Philippe Caubère. He will also play the anxious telephone, the never-ending coffe machine, the would-be-wood pigeon, the mocking motorbicycle, the aeroplane that loves to take off, and a hundred other props and practicals.
Why make a film version of eleven 3-hour stage shows written and acted by a single man?
Because this experience is unique, mad and utterly fascinating. On stage Philippe Caubère has already made more than 600,000 spectators laugh and cry.
A film version had to be made because film is the only medium that can bring a live spectacle to a mass audience, permanently record the writer/actor's quest and continue to pass on the message from the actor to his audience thanks to high quality pictures and sound. It was essential to bring the ideal performance to life on a big screen."
(Bernard Cartigues)