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Playing "in the Company of Men"

Playing "in the Company of Men"

A 長編映画 by Arnaud Desplechin

Produced by Why Not Productions

Release in France : 28/01/2004

    あらすじ

    It’s the story of a few powerful men and the war that they wage. It’s a story about today’s princes who settle scores via the stock exchange and high finance deals. It’s the story of a son caught up in the thick of a financial struggle between two businessmen – an inheritor and two kings – which also involves a chamberlain, a madman and a brute.
    Jurrieu, adoptive father of Léonard, controls an industrial armaments company. Hammer, boss of a large international distribution network, has had his eye on Jurrieu’s company for a long time. Léonard, champing at the bit to take on more challenging work, is tired of being kept in the background by his father. He becomes the pawn in a setup concocted by the unscrupulous Hammer. Léonard gets caught in the trap, but the outcome is nothing like Hammer had in mind. Léonard will destroy himself rather than give in to his father’s rival. Confronted by extreme situations, he discovers that he is a son while becoming a man.
    Like “Hamlet,” this is a story of a young prince who decides to change his life. A dark story of inheritance, of a prince locked up in Elsinor, paralyzed – who knows why – always about to act but condemned to constantly ruminate about things instead.
    He’s a man that’s too young trapped in a world that’s too old.
    Based on a deeply Shakespearean play by contemporary playwright Edward Bond, the film scrutinizes power’s dark side and unexpectedly recalls seventies American cinema: “All the President’s Men,” “French Connection,” “Three Days of the Condor,” “Network” and “Marathon Man.” Films whose protagonists were willing to take on any obstacle and challenge the state so that the guilty would eventually be unmasked.
    It’s precisely this encounter between the theater and the B-film – like a resonance chamber provided by film noir to the most political form of art – that this present adaptation has chosen to celebrate. There is no final guilty person, just a few powerful men who work in the shadows and turn the world into a jungle. The film doesn’t judge these men: they are today’s kings, noble and terrifying. And their passions light our lives. Just like the screen gives us back the world that escapes us.

    俳優 (12)

    映画製作・配給会社 (4)

    製作代表 :

    Why Not Productions

    Film exports/foreign sales :

    Wild Bunch

    共同製作 :

    Capa

    フランス国内配給 :

    Why Not Productions

    Photos (2)

    クレジットタイトル詳細 (19)

    製作代表 :

    Pascal Caucheteux, Grégoire Sorlat

    原作者 :

    Edward Bond

    フォトディレクター :

    Stéphane Fontaine

    撮影技師アシスタント :

    Jean-Charles Cameau, Sébastien Buchmann, Catherine Georges

    報道担当(映画) :

    Agnès Chabot

    Sound editor :

    Claire-Anne Largeron

    スクリプト :

    Agnès Feuvre

    Foley artist :

    Nicolas Becker

    Costume designer :

    Nathalie Raoul

    スチールマン :

    Simon Mein

    Assistant directors :

    Sophie Davin, Stéphane Malhuret

    シナリオライター :

    Nicolas Saada

    Sound recordists :

    Sophie Laloy, Laurent Benaïm

    Production manager :

    Isabelle Tillou

    Editor :

    Laurence Briaud

    Assistant editors :

    Mélanie Bénard, Mathilde Fleury, Célia Lafitedupont

    装飾 :

    Dan Bevan

    建設部門マネージャー :

    Yann Dury

    サウンド・ミキサー :

    Jean-Pierre Laforce

    技術面詳細

    長編映画

    ジャンル :

    フィクション

    サブジャンル :

    ドラマ

    言語 :

    フランス語

    その他の国の共同制作者 :

    フランス

    Original French-language productions :

    不明

    製作国 :

    100%フランス (フランス)

    製作年 :

    2003

    フランス公開 :

    28/01/2004

    上映時間 :

    1 時間 40 分

    経過状況 :

    公開済み

    ニュメロ·デ Visa :

    105.702

    ビザ発行日 :

    28/01/2004

    CNC助成 :

    不明

    生産のフォーマット :

    35ミリ

    カラータイプ :

    カラー

    画面セット :

    1.85

    Audio format :

    ドルビーSRD