Main basse sur la mémoire, les pièges de la Loi Gayssot
クレジット
Director (1)
クレジットタイトル詳細 (5)
- Screenwriter : Béatrice Pignède
- Directors of Photography : Béatrice Pignède, Flora Joly, Amar Hamdani, Jean-Sébastien Farez, Christophe-Emmanuel Del Debbio
- 作曲家 : Thibault Renou, Misja Michel
- Editor : Béatrice Pignède
- グラフィックデザイナー : Jean-Sébastien Farez
この映画を見る
Watch Main basse sur la mémoire, les pièges de la Loi Gayssot in VOD
| Platforms | Model | Price | Quality |
|---|
Sorry, your search returned no results.
| Platforms | Model | Price | Quality |
|---|
Sorry, your search returned no results.
| Platforms | Model | Price | Quality |
|---|
Sorry, your search returned no results.
| Platforms | Model | Price | Quality |
|---|
Sorry, your search returned no results.
メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : ドキュメンタリー
- 言語 : フランス語
- その他の国の共同制作者 : フランス
- Original French-language productions : 不明
- 製作年 : 2012
- フランス公開 : 01/02/2012
- 上映時間 : 1 時間 48 分
- 経過状況 : 公開済み
- CNC助成 :
- カラータイプ : カラー
ニュース＆アワード
About
Our collective memory is marked by the images of atrocities commited during World War Two, in particular by the Nazis. In order to guarantee that the "hideous beast" can no longer return, legislation has produced three memorable laws, including the French Gayssot Act of 1990, which makes it an offense in France to question the existence or the size of the category of crimes against humanity, as defined by the Nuremburg international military tribunal. After twenty years of application, there are many historians, philosophers, and politicians of all kinds, even among the judicial apparatus, who denounce the slip-ups that this law has engendered. Genocidal one-upmanship, quarrels about what event produced the most victims, a renewal of nationalist identity and racist issues, enormous misappropriation of funds. This film questions this liberticidal spiral. What meaning can be found in what appears to be a real seize and takeover of our memory?
