あらすじ
In the village of Nazareth, in Judea, lives a beautiful young adolescent girl, named Mary. Her parents dream of marrying their daughter to the son of a rich merchant but Mary refuses. She prefers to be engaged to Joseph, the carpenter, who loves Mary scretely. Joseph is about thirty years old, but Mary does not care and since the Jewish tradition lets the woman choose freely her husband, her parents accept that she be engaged to Joseph. One evening, Mary is suddenly surrounded by a supernatural light and then she hears the reassuring voice of the Angel : "Do not fear Mary, for you have found favor with God. You shall conveive in your womb and give birth to a Son, you will name him Jesus. He will be Great because he is the Son of the Most High". Mary speaks the words of acceptation which will change her destiny.
クレジット
監督 (1)
俳優 (12)
映画製作・配給会社 (5)
- 製作代表 : Azur Films
- 共同製作 : Belvision
- Film exports/foreign sales : Mediatoon Distribution
- フランス国内配給 : Media Films
クレジットタイトル詳細 (12)
- 製作代表 : Jacques Quintard
- Screenwriters : Jean Delannoy, Jacques Douyau
- フォトディレクター : Claude Agostini
- 作曲家 : Olivier Lliboutry
- Assistant directors : Fabienne Chauveau, Michel Leroy
- Editor : Françoise Berger-Garnault
- 録音技師 : Jean Minondo
- Costume designer : Javier Artinano
- 報道担当(映画) : Dominique Segall, Myriam Bruguière
- 装飾 : Gilles Parrondo
- ナレーター : Georges Wilson
- スチールマン : Erick Bonnier
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 歴史的
- テーマ : 宗教
- 言語 : フランス語
- 出身 : モロッコ, フランス, ベルギー
- Original French-language productions : はい
- 製作国 : 大部分フランス (モロッコ, フランス, ベルギー)
- 製作年 : 1994
- フランス公開 : 29/03/1995
- 上映時間 : 1 時間 50 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 82.066
- ビザ発行日 : 19/12/1994
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- 画面セット : 1.85
興行収入・公開作品
ニュース&アワード
About
"No film has ever been made about the woman Bernanos called "Mary, the mother of the Lord"... As for Saint Thomas de Villeneuve, he gave this disenchanted cry : "O, Evalgelists, why did you not set down what she did with her Son among men, how she lived with the Apostles ?" I heard this call. This film is my reply. I wished to fill the astonishing void of the Scriptures and return to Mary her dignity as a woman. Matthieu, Luke and John helped me in part but, for the rest, I had to imagine her in her everyday life. "The painter invents reality", Jean Cocteau used to say. I wanted the final film in my long career to be the pinnacle, just as a craftsman of the old days would make his masterpiece."
(Jean Delannoy)