あらすじ
Albert Shweitzer was born on January 14, 1875, in Kayserberg, Alsace, a German territory at the time, and die on September 4, 1965, in Lambaréné, Gabon, a former French colony that had gained its independence five years earlier. Bassek Ba Kobhio has always been fascinated by this character caught between two continents and who founded, for better or for worse, what we now call "relief work". This film shows us Schweitzer through African eyes.
クレジット
監督 (1)
俳優 (9)
映画製作・配給会社 (4)
- 製作代表 : LN Production
- 共同製作 : Chrysalide Films
- Foreign production companies : Les Films Terre Africaine, Centre National du Cinéma du Gabon (Ce Na Ci)
- フランス国内配給 : Oviri Films
クレジットタイトル詳細 (16)
- 製作代表 : Hugues Nonn
- Adaptation : Serge Lascar, Bassek Ba Kobhio
- シナリオライター : Bassek Ba Kobhio
- Dialogue Writers : Serge Lascar, Bassek Ba Kobhio
- フォトディレクター : Vincenzo Marano
- 作曲家 : Patrick Abrial
- 編集担当 : Michel Klochendler
- Sound recordists : Alain Curvelier, Éric Bonnard
- Costume designer : Dorothée Nonn
- 海外プロデューサー : Bassek Ba Kobhio
- Executive Producer : Françoise Lehérissey
- 報道担当(映画) : Thierry Lenouvel
- 音声編集担当 : Olivier Laurent
- Assistant editor : Mathilde Cousin
- スクリプト : Christine Ferrer
- スチールマン : Roger Arpajou
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- 言語 : フランス語
- 出身 : フランス, ガボン, カメルーン
- Original French-language productions : はい
- 製作国 : 大部分フランス (フランス, ガボン, カメルーン)
興行収入・公開作品
ニュース&アワード
About
"The white man imposed his civilisation on the black man and both are fully aware of the fact. But the white man would like the black man to remember this with a certain amount of gratitude, whereas the black man would like the white man to have feelings of guilt for the misdeeds of his civilisation. (...) The black man's mistrust also comes from the fact that the white man always appears to him as a conqueror, a seducer or a usurper. His sense of profit inspires wariness even if he seems to act for humanitarian and benevolent reasons. (...) He wants to erase the image of the filthy, primitive Negro savage from the white man's mind for good. His concern is to give the world another view of himself that suits his true personality. He must take his revenge for this. And it's this desire of revenge, rather than any actual vengeance, that makes his relationship with white men so tense. (...)"
(Bassek Ba kobhio)