あらすじ
Marie-Louise has mixed up her stations, but the rest are at the right one. Marie-Louise loves Jean-Paul who loves Marie-Louise who's loved by Jean who wants to admit it to Jean-Paul who's loved by Marie. Marie-Louise, red-headed, fresh and pretty, America in Paris, awaits Jean-Paul, her Frenchman, her sweet-heart. He, her handsome soldier, is coming home on leave. She, beauty, has gone to meet him... at the wrong station ! And we're off ! On a crazy swirl of rushing, yelling, tears and laughter, with Paris, a lovers' maze, all romance and magic, speeding the tempo up to fever pitch. And all this for a kiss.
クレジット
監督 (1)
俳優 (13)
映画製作・配給会社 (3)
クレジットタイトル詳細 (17)
- 製作代表 : Éric Atlan
- シナリオライター : Manuel Flèche
- Directors of Photography : Florent Montcouquiol, Darius Khondji
- 作曲家 : Alexandre Desplat
- Editor : Nathalie Le Guay
- 録音技師 : Dominique Vieillard
- アソシエートプロデューサー : André Farwagi
- エグゼクティブプロデューサー : Philippe Bedrossian
- 共同製作 : Gérard Louvin
- Sound assistants : Murielle Damain, Benoît Hardonnière
- 撮影技師アシスタント : Mostefa Bahtit, Jérôme Mauduit
- 製作部長 : Pierre Dieulafait
- 報道担当(映画) : Tony Krantz
- 音声編集担当 : Dominique Vieillard
- スクリプト : Sandra Di Pasquale
- Production Designer : Solange Zeitoun
- Sound mixers : Dominique Dalmasso, Bruno Tarrière
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : センチメンタルコメディ
- 言語 : フランス語
- その他の国の共同制作者 : フランス
- Original French-language productions : 不明
- 製作国 : 100%フランス (フランス)
- 製作年 : 1995
- フランス公開 : 21/06/1995
- 上映時間 : 1 時間 25 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 85.382
- ビザ発行日 : 15/02/1995
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- 画面セット : スコープ
- Audio format : ドルビーSR
興行収入・公開作品
ニュース&アワード
About
"When Eric Atlan screened the film for me, it had only just been completed. I found it original in its subject matter, point of view and style, very different from the other first films that I usually see and sufficiently rare to make a festival director curious. For the first screening , Eric Atlan was interested in the context of "Premiers Plans" (young directors, young audience), aware that the film could unhinge certain viewers. Apprehensively little, the whole crew came to Angers for this first encounter with a packed theatre. At the end of the screening, the film received a standing ovation... The public had been won over... During the next few days, Manuel Flèche and his actors gave a large number of interviews and left "on a high" from this very promising experience. I am confident that Manuel Flèche is destined for a brilliant career and I think that a festival like ours can provide a young director with the ideal conditions to discover the first impressions of an audience. The most revealing impressions..."
(Claude-Eric Poiroux - Chairman of the Angers "Premiers Plans" Festival)