Till Death Do Us Part
あらすじ
They’ve been close for years. In Estaque, trapped between the refineries and the sea, a cabaret is their refuge. There’s Venus, a drug-addict prostitute, Farid, a homeless orphan, José, Patrick and Jaco, who’ve been out of work forever, Marie-Sol who, despite her fervent prayers, can’t manage to have a baby... They try to keep on loving, as generous as they come...
クレジット
監督 (1)
俳優 (12)
映画製作・配給会社 (2)
- 製作代表 : Agat Films - Ex nihilo
- フランス国内配給 : Pierre Grise Distribution
クレジットタイトル詳細 (13)
- Screenwriters : Robert Guédiguian, Jean-Louis Milesi
- フォトディレクター : Bernard Cavalié
- 監督補佐 : Jacques Reboud
- 編集担当 : Bernard Sasia
- 録音技師 : Laurent Lafran
- Costume designer : Michel Vandestien
- 音声アシスタント : Pierre Tucat
- 撮影技師アシスタント : Olivier Ide
- 製作部長 : Malek Hamzaoui
- 報道担当（映画） : Marie-Christine Damiens
- Assistant editor : Valérie Meffre
- 装飾 : Michel Vandestien
- サウンド･ミキサー : Jean-Yves Rousseau
メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 人生ドラマ
- 言語 : フランス語
- その他の国の共同制作者 : フランス (100.0%)
- Original French-language productions : はい
興行収入・公開作品
ニュース＆アワード
映画祭でのセレクション (2)
About
Like everyone in Marseilles, he is of mixed origin. His father is Armenian and his mother German. (...) His father worked on the docks. He had about twenty accidents at work. Perhaps that’s the reason why Guédiguian keeps his eyes wide open on the reality of life. (...) He successfully completed his studies, probably to make his parents happy. (...) He loves Brecht, Capra, Pasolini and Ken Loach, to name only a few. He only works with friends who share his point of view. (...) Like all poor people, loneliness would kill him. He claims that Marseilles is his language... and also that the art he loves the most is firmly grounded in reality. So far, he has made six small films with small budgets about “small people”. He thinks high society is so far from the needy that it has lost all humanity. (...) He tries to keep his balance on a tightrope between discourse and narration, between emotion and intelligence, between pleasure and attention.
(Robert Guédiguian - Self-portrait)
