あらすじ
I saw this happen : Raye left home. Why ? To see what was waiting for her out there. Europe ! It didn't matter where she went, the Mediterranean coast, Strasbourg, Zurich, Berlin, she's young. Then her father, Abel, left. Perhaps he wanted something else to happen to him. Things began to happen on the ship, but Odessa is where it really began. So Nellie was left there alone. Maybe she couldn't have said it, but that's what she needed. I mean, to be alone with herself. That's why she sent Raye and Abel away. So without moving, with everything around her moving very fast and also in the microscope which is her work, Nellie had her own trip to make. As for this kind of travelling, that's what each of us did. I know, I was there.
クレジット
監督 (1)
俳優 (8)
映画製作・配給会社 (3)
- 製作代表 : Avventura Films
- Foreign production companies : Vega Film, RTS - Radio Télévision Suisse, Paradise Films
- フランス国内配給 : Les Films du Paradoxe
クレジットタイトル詳細 (13)
- 製作代表 : Ruth Waldburger
- シナリオライター : Robert Kramer
- Directors of Photography : Richard Copans, Katell Djian, Blaise Bauquis
- 作曲家 : Barre Phillips
- Editors : Christine Benoît, Béatrice Wick, Keja Ho Kramer, Robert Kramer
- Sound recordists : Olivier Schwob, Bernard Seidler
- Costume designers : Sylvie Goitrelet, Linda Guegan
- Foreign producer : Ruth Waldburger
- エグゼクティブプロデューサー : Pierre-Alain Schatzmann
- 製作部長 : Simon Zaleski
- 報道担当（映画） : Matilde Incerti
- 装飾 : Stéphane Lévy
- スチールマン : Keja Ho Kramer, Simon Zaleski, Marianne Müller, Sabine Ohle
メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : ドラマ
- 言語 : フランス語
- 出身 : フランス, スイス, ベルギー
- Original French-language productions : 不明
興行収入・公開作品
テレビ放送
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ニュース＆アワード
映画祭でのセレクション (3)
ベルリン ヤングシネマフォーラム
ドイツ, 1996
長編映画フォーラム
About
"(...) With Kramer, the walker-poet, don't expect any marked out trails. Nice views, but no signposts. A slow drifting, the story of an unavoidable splintering where private history (his, no doubt) mingles with collective history. Where faces and landscapes keep their mystery too. "Walk the Walk" is a demanding, irksome movie which plays on a sensitive nerve that becomes a tightrope. You go along with him or you don't. To those who do, Kramer promises no sociological investigation, no Big Subject, but it is not hard to be won over by his beguiling, melancholic way of roaming over this constantly moving old world with an eye that will never, whatever the price, sell out."
(François Gorin - Télérama)
