あらすじ
Rosemonde has sold her story to an important Swiss commercial TV station. Eight years ago (at the age of twenty), she killed a man who was trying to rape her and the trial, without witness, ended in her acquittal. Paul, a young writer, has been hired by the producer to write the screenplay. But Rosemonde si unable to relive her past and dodges Paul's questions. At that point, Marie, a young actress, is sent to see Rosemonde, with the promise that she'll get the part if she can make her talk.
クレジット
監督 (1)
俳優 (13)
映画製作・配給会社 (3)
- 共同製作 : Noé Productions Int.
- Foreign production companies : Suissimage, Filmograph SA, RTS - Radio Télévision Suisse
- フランス国内配給 : Haut et Court
クレジットタイトル詳細 (12)
- Screenwriters : Alain Tanner, Bernard Comment
- フォトディレクター : Denis Jutzeler
- 作曲家 : Michel Wintsch
- Assistant director : Ursula Meier
- Editor : Monica Goux
- 録音技師 : Henri Maïkoff
- エグゼクティブプロデューサー : Gérard Ruey
- Co-producers : Frédérique Dumas, Marc Baschet, Michel Mavros
- 音声アシスタント : Pascal Despres
- 報道担当（映画） : Laurence Petit
- Foley artist : André Naudin
- サウンド･ミキサー : Alain Garnier
メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 人生ドラマ
- 言語 : フランス語
- 出身 : スイス, フランス
- Original French-language productions : 不明
- 製作国 : ごく一部フランス (スイス, フランス)
- 製作年 : 1995
- フランス公開 : 11/09/1996
- 上映時間 : 1 時間 54 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 87.146
- ビザ発行日 : 23/09/1996
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- 画面セット : 1.66
興行収入・公開作品
ニュース＆アワード
映画祭でのセレクション (2)
About
"Karin Viard, who hates conventional films and unsurprising characters, was won over by Alain Tanner's screenplay for "Fourbi". This young actress (not yet thirty) has imposed a new acting style in a very short time : comic in Etienne Chatillez's "Tatie Danielle", eccentric in "Delicatessen", romantic in Christine Pascal's "Adultère, mode d'emploi"... "Directors want to transform me," she explains. "They think that I can belong to them completely. In my case, the first thing you sense in a film is the face and personality of the character." Before working with Alain Tanner, Karin Viard has appeared in films by younger directors such as Cédric Klapisch's "Little Nothings", Michel Spinosa's "Emmène-moi", Xavier Durringer's "La Nage indienne", Mathieu Kassovitz's "Hate"... "I feel closer to young directors because they take more risks and the parts they offer me allow me greater freedom."
(Portrait by Maria Manthoulis and Antoine Khalife - Supervisors of the festival department at Unifrance)
