あらすじ
Igor, is fifteen. He's an apprentice mechanic, a karting fan and above all his father Roger's son, involved, with him, in an illegal immigration racket. Igor takes to his father's scams with natural verve and innocence, not asking too many questions. Yet, one day because of a promise made Igor is forced to choose. Can he come clean without betraying his father?
クレジット
俳優 (8)
映画製作・配給会社 (3)
- 共同製作 : Touza Productions
- Foreign production companies : Les Films du Fleuve, Dérives, Samsa Film, RTBF - Radio Télévision Belge de la Communauté Française, ERTT - Etablissement de Radiodiffusion Télévision Tunisienne, Touza Films
- フランス国内配給 : ARP Sélection SAS
クレジットタイトル詳細 (17)
- Screenwriters : Jean-Pierre Dardenne, Luc Dardenne
- 作曲家 : Jean-Marie Billy, Denis M'Punga
- Assistant directors : Bernard Garant, Jean-François Tefnin
- Editor : Marie-Hélène Dozo
- Sound recordists : Jean-Pierre Duret, Pascal Metge
- Costume designer : Monic Parelle
- Foreign producers : Jean-Pierre Dardenne, Luc Dardenne, Hassen Daldoul, Claude Waringo
- 音声アシスタント : Jonathan Acbard
- 撮影技師アシスタント : Olivier Servais, Amaury Duquenne
- 撮影技師 : Benoît Dervaux
- 報道担当（映画） : Marie-Christine Damiens
- Sound editor : Sandrine Deegen
- スクリプト : Anne Van Hove
- 装飾 : Igor Gabriel
- Sound mixers : Philippe Baudhuin, Benoît Biral, Thomas Gauder
- スチールマン : Christine Plenus
- 演出助手 : Dimitri Linder
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メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 人生ドラマ
- テーマ : 子供時代, 仕事
- 言語 : フランス語
- 出身 : ベルギー, ルクセンブルク, チュニジア, フランス
- Original French-language productions : はい
- 製作国 : ごく一部フランス (ベルギー, ルクセンブルク, チュニジア, フランス)
- 製作年 : 1996
- フランス公開 : 16/10/1996
- 上映時間 : 1 時間 30 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 88.450
- ビザ発行日 : 26/07/1996
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- 画面セット : 1.66
- Audio format : ドルビーA
興行収入・公開作品
ニュース＆アワード
映画祭でのセレクション (7)
About
Luc and Jean-Pierre Dardenne may be compared to the Coen brothers (“Miller's Crossing”, “Barton Fink”, etc...) insofar as they work in total symbiosis. Yet as "engaged" film-makers, these young cineastes are more in the vein of Ken Loach than Mathieu Kassovitz. "Hate" opened up a whole new genre in French cinema. The less didactic "La Promesse", however, is much more credible. Like Loach, the Dardenne brothers don't judge, they simply present a slice of life. The torment of this microcosm on the fringes of society - the theme is that of a young delinquent (Igor) who has to choose between his "bastard" of a father (remarkably played by Olivier Gourmet) who killed a black, and his conscience - never tends towards either excessive anger or sentimentality. The young Jérémie Renier and Assista Ouédraogo give extraordinary performances, which, given their relative inexperience, is no doubt thanks to the Dardenne brothers who with this film have become "majors" of Francophone cinema.
Edward Behr, journalist and writer
