あらすじ
Witchcraft is on the wane. There are only six witches left on Earth. Five of these uphold Good, against one who stands for Evil. The question is, who will succeed them ? Molok, th evil witch has no heir. Morgane, the good witch, has an adorable 11-month baby boy, Arthur. On the 14th of June at 6 a.m. Arthur will be a year old, and like all witches, must be vouched for. If Molok vouches for him, he will serve evil. In order to save her son, Morgane bewitches Michael Firth, an American inventor whose only mistake was to have been born on a 14th of June at 6 a.m. If Michael were to become Arthur's "godfather" the baby witch would lose all his powers and Molok would no longer want him. Yet what Morgane hadn't banked on was falling in love with Michael...
クレジット
監督 (1)
俳優 (22)
映画製作・配給会社 (4)
- 製作代表 : Films Christian Fechner
- 共同製作 : TF1 Films Production
- Film exports/foreign sales : Newen Connect a TF1 Group Company
- フランス国内配給 : Fox France
クレジットタイトル詳細 (18)
- 製作代表 : Christian Fechner
- シナリオライター : René Manzor
- フォトディレクター : Pal Gyulay
- 作曲家 : Jean-Félix Lalanne
- Assistant director : Catherine Joubé
- Editor : Christine Pansu
- Sound recordists : Patrick Rousseau, Laurent Quaglio
- Costume designer : Annie Périer
- エグゼクティブプロデューサー : Hervé Truffaut, Didier Pain
- 音声アシスタント : Olivier Villette
- 撮影技師アシスタント : Florent Bazin
- 撮影技師 : Patrice Wyers
- 製作部長 : Henri Brichetti
- 報道担当(映画) : Karine Ellena
- スクリプト : Jacqueline Gamard
- 装飾 : Thierry Flamand
- キャスティング : Gérard Moulevrier
- スチールマン : Dominique Le Strat
この映画を見る
Watch Witch Way Love in VOD
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : コメディー
- 言語 : フランス語
- その他の国の共同制作者 : フランス (100.0%)
- Original French-language productions : 不明
興行収入・公開作品
ニュース&アワード
About
"What does one learns from writing and directing in the U.S.?"
René Manzor : "One learns how to be efficient and modest; how to write screenplays which will be signed by others, directed by others; how to become a kind of "script doctor", a Hollywood ghost writer. And it's useful. It's a whole, very precious, methodology, which when you return home to France, gives you a better handle on their system and ours. In France, the author is the boss when it comes to the work. Over there, I learnt that you really must have a partner. Yet, it all was a wonderful experience. I met only artist/ producers : the first being Alain Delon. Then, my brother Francis Lalanne. After Georges Lucas, for whom I directed episodes of "The Young Indiana Jones" series. And now Christian Fechner. I was extremely lucky to meet all these men, all of whom held up a mirror to me, who helped me progress. In America you often have to deal with multinationals and boards of directors. In France you can speak to human beings." (Press release extract)