あらすじ
Sam, thirty, is an inspector with the crime squad. For more than twenty years now, he's been playing chess with Joseph Katz, an old second-hand dealer and former concentration camp prisoner. He loves him like his own father. That morning, before his very eyes, Katz cold-bloodedly shoots a German tourist who entered his shop by chance. He recognized him as the SS officer who was responsible for the massacre of his family fifty years earlier. Sam feels unable to arrest his friend. He lets the old man go in the street. A few hours later, Katz commits suicide. Unless he was in fact murdered... From Paris to Berlin, from Hamburg to Jerusalem, Sam's investigation takes an increasingly disturbing turn. A manhunt, a series of murders, dealings in works of art stolen from the Jews by the Nazis... "K" is a political thriller constructed like a game of chess.
クレジット
監督 (1)
俳優 (19)
映画製作・配給会社 (4)
- 製作代表 : New Light Films
- Co-productions : Alexandre Films, TF1 Films Production
- Film exports/foreign sales : Tamasa Distribution
- フランス国内配給 : Fox France
クレジットタイトル詳細 (21)
- 製作代表 : Alexandre Arcady
- Screenwriters : Alexandre Arcady, Antoine Lacomblez, Jorge Semprun
- フォトディレクター : Gerry Fisher
- 作曲家 : Philippe Sarde
- Editor : Joële Van Effenterre
- Sound recordists : Dominique Levert, Jean Goudier
- Costume designer : Claire Fraïssé
- 原作者 : Guy Konopnicky
- エグゼクティブプロデューサー : Robert Benmussa
- あてレコ : Richard Berry
- 音声アシスタント : Martin Boissau
- 撮影技師アシスタント : Christophe Paturange, Dominique Delguste
- Camera operators : Berto, Patrick Ranter (De)
- 製作部長 : Gérard Gaultier
- 報道担当（映画） : Dominique Segall
- Assistant editors : Marie De La Selle , Stefan Richter
- スクリプト : Claudine Taulère
- 装飾 : Tony Egry
- サウンド･ミキサー : Gérard Lamps
- ナレーター : Richard Berry
- スチールマン : Jean-Marie Leroy
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Watch K in VOD
メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : スリラー
- 言語 : フランス語
- Original French-language productions : 不明
- 製作国 : 100％フランス
興行収入・公開作品
ニュース＆アワード
映画祭でのセレクション (1)
About
"On joining the team during the final stage of writing an already powerfull constructed screenplay whose dramatic progress was fuelled by twists that were surprising but not at all arbitrary, I enjoyed working with Antoine Lacomblez and Alexandre Arcady himself immensely. During the hours and days filled with the joys of fine-tuning and the final development of a tragic plan, amid the laughter caused by the renewed agreement on the solutions to our problems, the seriousness of the subject tackled, as well as its topicality, continually inspired us." (Jorge Semprun)
