あらすじ
At 17, Amélie leaves her family home, but leaves no address. After a ten-year absence, she returns. Of what was a home, she finds a vacant lot strewn, like before, with wrecked motorbikes, and a wooden shack. Of her family, only her brother Adrien remains, a dreamy drop-out hitting the bottle. Their father is dead. Amélie didn't know. She barely feels any sadness. Instead she sets out to shake those who now live on the wasteland out of their slumber. Her father had built a huge metal sphere for a dare-devil motorcycle number. Amélie learns to ride a bike, masters her dad's routine, and hits the road. Now called "Violetta, Queen of Acrobatics" she travels with her little band in tow. But her enthusiasm masks her inner pain. Amélie has scores to settle. She's chasing her past, and about to catch up with it...
クレジット
監督 (1)
俳優 (14)
映画製作・配給会社 (2)
- 製作代表 : Garuda Productions
- フランス国内配給 : Rezo Films
クレジットタイトル詳細 (10)
- 製作代表 : Jean-Louis Monthieux
- Screenwriters : Guy Jacques, Emmanuel List
- フォトディレクター : Jérôme Robert
- 作曲家 : Jacques Gandon
- Editor : Pauline Dairou
- 録音技師 : Jean-Pierre Duret
- Costume designer : Madeline Fontaine
- 報道担当(映画) : Marie-Christine Damiens
- Production Designer : Véronique Melery
- スチールマン : François-Olivier Gouillart
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : コメディー
- テーマ : スポーツ
- 言語 : フランス語
- その他の国の共同制作者 : フランス
- Original French-language productions : 不明
- 製作国 : 100%フランス (フランス)
- 製作年 : 1997
- フランス公開 : 05/11/1997
- 上映時間 : 1 時間 32 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 83.269
- ビザ発行日 : 02/01/1997
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- 画面セット : 1.85
- Audio format : ドルビーA
興行収入・公開作品
ニュース&アワード
About
"Here, we don't serve received-idea soup. It's a soup which has turned cinema into a closed universe which feeds of itself in a kind of autarky. You see a young hero and a young heroine. You don't know the story, but one thing is clear, they'll fall for each other... Well, in "Violetta" that's not how things go. Life is not like in the movies... And my films neither, are not like in the movies." (Guy Jacques)