あらすじ
A film devised in three sections. Three sections resulting from different periods in our history. "Will you at last tell me which men are the best for you ?" (Plato)
"Isolation is, from man's point of view, the disease that the world in which we live suffers from." (Arendt)
"Could you accept for once that your idea of good isn't necessary the right one, without you automatically being bad". (Miéville)
クレジット
Director (1)
俳優 (3)
映画製作・配給会社 (5)
- 製作代表 : Peripheria
- Co-productions : Les Films du Losange, Les Films Alain Sarde
- 海外製作作品 : Vega Film
- Film exports/foreign sales : Les Films du Losange
- フランス国内配給 : Les Films du Losange
クレジットタイトル詳細 (7)
- Screenwriter : Anne-Marie Miéville
- Directors of Photography : Christophe Beaucarne, Jean-Paul Rosa Da Costa, Christophe Pollock
- Editor : Anne-Marie Miéville
- Sound recordists : François Musy, Olivier Burgaud, Christophe Giovannoni
- Costume designer : Marina Zuliani
- 報道担当(映画) : Régine Vial
- 装飾 : Ivan Niclass
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 人生ドラマ
- 言語 : フランス語
- 出身 : スイス, フランス
- Original French-language productions : 不明
- 製作国 : 大部分フランス (スイス, フランス)
- 製作年 : 1996
- フランス公開 : 19/03/1997
- 上映時間 : 1 時間 20 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 89.546
- ビザ発行日 : 09/01/1997
- CNC助成 : はい
- カラータイプ : カラー
- 画面セット : 1.66
- Audio format : ドルビーSRD
興行収入・公開作品
ニュース&アワード
映画祭でのセレクション (4)
代表団 (1)
About
It's all a matter of approach, not words. Of instinct rather than intellect. This is indeed cinema. Godard, people have often said, withdrew in the 70's, to carry out experiments on video and start from scratch. His first work with Miéville dates from that period, notably with "Numéro deux", a sort of home-movie that coldly dissects a couple's life. In its more gentle way, "Nous sommes tous encore ici" is the distant reply of the lady to her haughty, touching and unshaved gentleman. An exacting and lucid account of the condition of the isolated artist and, beyond that, of the task of living and its even more exalting and dangerous variant (a challenge and a game) : life a s a couple". (François Gorin, Télérama)