あらすじ
In a lonely house on the Carso plateau near Trieste, an elderly woman decides to write a long letter in the shape of a diary to her granddaughter. She knows that time is short for her and, with this love letter, wishes to renew a relationship that has been made difficult not only the young girl's adolescent crisis but also by the tragic death of her own daughter. She is therefore forced to look back over her own life: her rigid, bourgeois upbringing, her marriage of convenience with a kind but boring man, her secret affair with her daughter's father. Through the story of several generations of women, without false modesty or rhetoric but harshness at times, she tells her granddaughter about herself and invites her to carry out the same "journey" as her: a journey of self-exploration, far from false values and clichés, while above all listening to the voice of the heart.
クレジット
Director (1)
映画製作・配給会社 (3)
- Co-productions : GMT Productions, BC Films
- Foreign production companies : Videa S.p.A., Project Filmproduktions, Filmverlag der Autoren & Co
- フランス国内配給 : Polygram
クレジットタイトル詳細 (11)
- Screenwriters : Cristina Comencini, Roberta Mazzoni
- フォトディレクター : Roberto Forza
- 作曲家 : Alessio Vlad, Claudio Capponi
- Editors : Giovanni Baragli, Nino Baragli
- 録音技師 : Jean-Louis Ducarme
- Costume designer : Antonella Berardi
- 海外プロデューサー : Sandro Parenzo
- 原作者 : Susanna Tamaro
- Co-producer : Béatrice Caufman
- 報道担当（映画） : Laurette Monconduit
- Production Designer : Paola Comencini
メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- 言語 : イタリア語
- 出身 : イタリア, ドイツ, フランス
- Original French-language productions : 不明
- 製作国 : ごく一部フランス (イタリア, ドイツ, フランス)
- 製作年 : 1996
- フランス公開 : 12/03/1997
- 上映時間 : 1 時間 50 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 89.425
- ビザ発行日 : 19/03/1997
- CNC助成 : はい
- カラータイプ : カラー
興行収入・公開作品
ニュース＆アワード
About
When Carla Cattani asked me to adapt my novelfor the screen, I immediately thought of Cristina Comencini. Once she accepted, I left everything in her hands. Cristina Comencini was able to use her approach, her sensitivity and her "art" to tell a story that henceforward belongs to her. I didn't renounce all interest in her work but I simply remained discreet. I read the screenplay and I was stunned by the extraordinary job that she had done. I went to the set for the first day of shooting to show her that I was with her. And, with the same self-control, I went to see "her" film that had the same title as "my" book. (Susanna Tamaro -
Author)
