The Dreamlife of Angels
あらすじ
Isa, 20, owns nothing but the contents of her backpack and a generally cheerful, “grin and bear it” attitude to life. Bumming her way from town to town, living from hand to mouth, she washes up in Lille. Everywhere she goes, she adds a new block to the structure she is building, patiently and instinctively, out of her curiosity and generosity. In Lille she meets Marie, a girl from the north of France, aged 20 like her and a loner like her, but for different reasons. Marie is untamed, scalded, outraged by the role that life has ascribed to her.
クレジット
監督 (1)
俳優 (7)
映画製作・配給会社 (4)
- 製作代表 : Les Productions Bagheera
- Co-productions : France 3 Cinéma, Diaphana
- Film exports/foreign sales : Wide
- フランス国内配給 : Diaphana
クレジットタイトル詳細 (20)
- 製作代表 : François Marquis
- Adaptation : Pierre Schoeller, Frédéric Carpentier
- Screenwriters : Érick Zonca, Roger Bohbot, Virginie Wagon, Pierre Chosson
- Director of photography : Agnès Godard
- 作曲家 : Virginie Wagon, Yann Tiersen
- Assistant directors : Hubert Barbin, Alexandre Billon
- 編集担当 : Yannick Kergoat
- 録音技師 : Jean-Luc Audy
- Costume designer : Françoise Clavel
- 音声アシスタント : Olivier Busson
- 撮影技師アシスタント : Luc Pallet, Raphaël Bauche
- Camera operator : Dominique Le Rigoleur
- 製作部長 : François Lamotte
- 報道担当（映画） : Robert Schlockoff
- Sound editor : Muriel Moreau
- Assistant editors : Sophie Henocq, Laure Meynet
- スクリプト : Maureen Meyer
- 装飾 : Jimmy Vansteenkiste
- キャスティング : Antoine Carrard
- サウンド･ミキサー : Stéphane Thiébaut
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メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : ドラマ
- テーマ : 彷徨, 若者
- 言語 : フランス語
- その他の国の共同制作者 : フランス (100.0%)
- Original French-language productions : はい
- 製作国 : 100％フランス (フランス)
- 製作年 : 1998
- フランス公開 : 16/09/1998
- 上映時間 : 1 時間 53 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 87.765
- ビザ発行日 : 24/06/1998
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
興行収入・公開作品
ニュース＆アワード
映画祭でのセレクション (18)
Moscow - International Film Festival
ロシア, 1999
パノラマ
受賞 (4)
Cannes International Film Festival
フランス, 1998
Award for Best actress : Élodie Bouchez
Award for Best actress : Natacha Régnier
代表団 (4)
About
Zonca films bare-knuckled with a boxer’s tension, freedom and rigor, never once trying to demonstrate. Like Pialat in “Passe ton bac d’abord”, he lets himself be guided by the trembling of bodies, the debris of illusions, the dropped beats in looks and conversations. From an environment (Northern France) much overused in French cinema, the hackneyed context (social mincemeat) that goes with it and the play of stubborn opposites (night, day, the characters), the director extracts the harsh light of trajectories that collide. He captures the unraveling of these girls and their impossible dream of tying up with others. Lets his camera run. Dares to make a bridging sequence in mid-film and then, without warning, switches from Isa’s occasionally clownish energy (love that Madonna act!) to Marie’s mutinous rancor. And ends his film with as many lives. A long, long take of women factory workers’ faces which, in the image of his two angels, turn our hearts inside out. (Sophie Grassin in “L’Express” magazine, September 10, 1998)
