あらすじ
This Sunday, the rain falling on Salonika is the color of dusk. Alexander, a great novelist, prepares to take his final leave of the house by the sea where he has lived all his life. He comes across an old letter from his wife Anna, in which she writes about a summer’s day thirty years ago. It sets Alexander off on a curious journey in which the present and the past are intertwined. By following the chimerical words of his novels, he has let the happy moments of his life slip through his fingers. Moments he wants to retrieve, for a day ... for eternity.
クレジット
監督 (1)
俳優 (7)
映画製作・配給会社 (5)
- 製作代表 : Paradis Films
- Co-productions : Intermedias, La Sept Cinéma
- 海外製作作品 : Theo Angelopoulos Production
- Film exports/foreign sales : Greek Film Centre / Centre du cinéma grec
- フランス国内配給 : AFMD
クレジットタイトル詳細 (11)
- 製作代表 : Éric Heumann
- Screenwriters : Théo Angelopoulos, Tonino Guerra, Pétros Márkaris, Giorgio Silvagni
- Directors of Photography : Yorgos Arvanitis, Andreas Sinani
- 作曲家 : Eléni Karaïndrou
- 編集担当 : Yannis Tsitsopoulos
- Sound recordist : Nikos Papadimitriou
- Costume designer : Yorgos Patsas
- Foreign producers : Giorgio Silvagni, Théo Angelopoulos
- 製作部長 : Emilio Konistsiotis
- 報道担当(映画) : Robert Schlockoff, Valérie Chabrier
- Production Designers : Yorgos Patsas, Yorgos Ziakas
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 心理ドラマ
- 言語 : ギリシャ語
- 出身 : ギリシャ, フランス, イタリア
- Original French-language productions : いいえ
興行収入・公開作品
ニュース&アワード
映画祭でのセレクション (5)
受賞 (1)
About
"Light years from the world of television (no close-ups), commercials (no jerky cutting) and standard narrative technique (no conventional continuity or psychology), Angelopoulos makes the sequence shot sublime, breathes soul into the pan, mummifies the characters, evacuates the frame, populates the soundtrack with offscreen voices, outflanks the actors, slams genres together and explodes chronology. The result is melancholy and slow, dark and hieratic with flashes that stab like shards of glass. It’s as though the sole purpose of this alienation were to engineer the most overturned connections the human mind is capable of making. This stream-of-consciousness cinema composes an elegy to humanity with its bruised childhoods, sold-out revolutions, defunct loves, trampled hopes and utopia reborn."
(Jacques Mandelbaum in “Le Monde”, October 29th 1998)