あらすじ
Bernard, a teacher in the suburbs, lives with Victoria in a new urban development. Didier, a wealthy Parisian pharmacist, is married to Muriel. One drives a rusty 205, the other, a black Mercedes. They are brothers-in-law, and hate each others' guts. Over dinner, Didier and Bernard make a bet: to stop smoking for a fortnight, until the next family get-together. The gauntlet is down, their hell begins... The first days go off like a dream, both are on top of the world. Addicted no more! But things quickly turn sour. Didier and Bernard find it harder and harder to resist the temptation. They become irritable, suspicious, they lie... Until the fateful day: the family get-together. They've kept their word, but relations between them and their wives are at an all time low... Despite this, they are both determined to remain non- smokers. Will they succeed? At what price? And for how long?
クレジット
俳優 (30)
映画製作・配給会社 (4)
- 製作代表 : Katharina, Renn Productions
- Co-productions : TF1 Films Production, DB Production, ABS Productions
- Film exports/foreign sales : Pathé Films
- フランス国内配給 : AMLF
クレジットタイトル詳細 (18)
- 製作代表 : Claude Berri
- Screenwriters : Bernard Campan, Didier Bourdon
- フォトディレクター : Manuel Teran
- 監督補佐 : Eric Fourniols
- 編集担当 : Roland Baubeau
- 録音技師 : Bernard Bats
- Costume designer : Gisèle Ravard
- エグゼクティブプロデューサー : Pierre Grunstein
- Sound assistants : Jean Casanova, Pierre-Yves Bruneel
- 製作部長 : Patrick Bordier
- 報道担当(映画) : Dominique Segall
- 音声編集担当 : Frédéric Dubois
- Assistant editor : Marcela Figueroa
- スクリプト : Patrick Aubrée
- 装飾 : Christian Marti
- サウンド・ミキサー : Bruno Charier
- スチールマン : Pascalito, Roger Arpajou
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : コメディー
- 言語 : フランス語
- その他の国の共同制作者 : フランス (100.0%)
- Original French-language productions : 不明
興行収入・公開作品
ニュース&アワード
映画祭でのセレクション (3)
Cairo - International Film Festival
エジプト, 1998
コンペティション外作品
代表団 (1)
About
"In general, when doing films, we first discuss the basic idea and then overlay the comic scenes: so the gags come pretty quickly. With regard to the pacing, we like each scene to slot naturally into the other. It would seem wooden if we tried to calculate everything. ''The Bet'' is our second film; we had more leeway, we added more personal touches." (Didier Bourdon)