あらすじ
In Europe today, as chance, deceits and desires run their course, the army conscript meets the nurse, the nurse gets back together with the comedian, the comedian meets the married woman, the married woman gets back together with the VIP, the VIP meets the mad dog, the mad dog gets back together with his old friend Loulou and Loulou, naturally, meets Jack the Ripper.
クレジット
監督 (1)
俳優 (25)
映画製作・配給会社 (4)
- 製作代表 : Noé Productions Int.
- 共同製作 : M6 Films
- Foreign production companies : Samsa Film, Artémis Productions, 3 Emme Cinematografica
- フランス国内配給 : Polygram
クレジットタイトル詳細 (22)
- 製作代表 : Marc Baschet, Cedomir Kolar
- Screenwriters : Nicolas Boukhrief, Dan Sasson
- フォトディレクター : Jean-Max Bernard
- 作曲家 : Nicolas Baby
- 監督補佐 : Philippe Landoulsi
- Editor : Jacqueline Mariani
- 録音技師 : Carlo Thoss
- Costume designer : Virginie Montel
- Foreign producers : Patrick Quinet, Jani Thiltges, Léo Pescarolo
- あてレコ : Vanessa Paradis
- Co-producer : Frédérique Dumas
- 音声アシスタント : Pascal Jasmes
- 撮影技師アシスタント : Amandine Lacape
- Production managers : Marc Bodin-Joyeux, Mathieu Bompoint
- 報道担当(映画) : Isabelle Sauvanon
- 音声編集担当 : Frédéric Fichefet
- スクリプト : Anne Wermelinger
- 装飾 : Jean-Vincent Puzos
- Art director : Ana Montañana Alba
- サウンド・ミキサー : Cyril Holtz
- スチールマン : Guy Ferrandis
- 演出助手 : Aimeric Bonello
この映画を見る
Watch The Pleasure in VOD
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 人生ドラマ
- 言語 : フランス語
- 出身 : フランス, イタリア, ルクセンブルク, ベルギー
- Original French-language productions : はい
興行収入・公開作品
ニュース&アワード
About
TThe ‘fin-de-siècle’ genre exists in every art form, but this is the first end-of-the-century in the lifetime of the movies. Last time around, the art was in its infancy. I thought to myself, let’s tackle it Viennese-style, with a dark kind of lightness. Hence the Schnitzleresque structure. One story leads to another, and this progression takes us on a kind of round of inspection. I think our society has a very dark relationship to pleasure, but you always get that at the end of a century. You realize that flesh is sad and you’ve read all the books. At the end of the 20th century, pleasure is an advertising word. They always show you the satisfaction you’ll get, but never the dangers that come with it. Candy gives pleasure but they never say it makes kids fat. Everybody — in cities, at least — is out for instant gratification. Everybody wants the buzz and nobody thinks about the consequences. It’s like a mass hysteria. (Nicolas Boukhrief in Le Figaro, August 5, 1998)