あらすじ
Thomas has every reason to be happy. He has a wife (Victoria, the sexiest dentist on earth), an adorable baby daughter and a good job as a program designer for a big software company. He is presently working on a revolutionary new “anti-shyness” program which obliges him to spend more time at his computer than with his family. But soon Thomas will reap his reward. This very evening, he has just put the final touches to his programming masterpiece, a virtual character named Leo who is an exact replica of his creator, only without any of his defects. Leo is the keystone of the program, which Thomas is due to unveil tomorrow. But Thomas hasn’t reckoned with Leo’s spirit of initiative, and Leo is determined to break out from the computer screen and discover real life..
クレジット
監督 (1)
俳優 (9)
映画製作・配給会社 (4)
- 製作代表 : Rigolo Films 2000
- Co-productions : STUDIOCANAL, TF1 Films Production, Babe Films
- Film exports/foreign sales : Newen Connect a TF1 Group Company
- フランス国内配給 : Polygram
クレジットタイトル詳細 (12)
- 製作代表 : Olivier Granier, Dominique Farrugia
- Adaptation : Fabio Conversi
- Screenwriters : Michel Hazanavicius, Fabio Conversi, Alexandre Pesle
- フォトディレクター : Bruno De Keyzer
- 作曲家 : Jean-Louis Negro
- Editor : Marie-Blanche Colonna
- Sound recordists : Alain Sempé, Vincent Arnardi
- Costume designer : Véronique Périer
- 報道担当（映画） : Alexandra Schamis, Blanche Aurore Duault
- 装飾 : Philippe Chiffre
- サウンド･ミキサー : Thierry Lebon
- スチールマン : Jean-Marie Leroy
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メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : コメディー
- 言語 : フランス語
- Original French-language productions : 不明
- 製作国 : 100％フランス
- 製作年 : 1998
- フランス公開 : 17/06/1998
- 上映時間 : 1 時間 28 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 92.507
- ビザ発行日 : 22/05/1998
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- 画面セット : 1.85
- Audio format : ドルビーSRD
興行収入・公開作品
ニュース＆アワード
About
I liked both the main characters: Leo for his total naiveté, his childlike way of discovering the world by goofing around, and Thomas for his shyness and discomfort in life, not knowing how to handle his family situation. There are lots of guys like that around, people so tied up in their work that they don’t have a minute to spare for their families. It’s a very contemporary subject! (Elie Semoun - excerpt from press kit)
