あらすじ
Ange fails an audition which is crucial for his career. In despair, he goes to call on Concepciòn, a struggling 30 year-old Spanish actress he recently met. To his surprise, he lands in the middle of a dinner party of movie celebrities. Baffled and disoriented, Ange finds himself and Concepciòn playing the role of real-life hostage takers.
クレジット
監督 (1)
俳優 (20)
映画製作・配給会社 (4)
- 製作代表 : ADR Productions
- Co-productions : STUDIOCANAL, Arte France Cinéma
- Film exports/foreign sales : Pyramide International
- フランス国内配給 : Les Films du Losange
クレジットタイトル詳細 (20)
- 製作代表 : Alain Rozanes, Pascal Verroust
- シナリオライター : Karim Dridi
- フォトディレクター : Patrick Blossier
- 作曲家 : Andréas Roé
- 監督補佐 : Jean-Stéphane Sauvaire
- Editor : Lise Beaulieu
- 録音技師 : Michel Brethez
- Costume designer : Emmanuelle Pertus
- 音声アシスタント : Pierre Tucat
- 撮影技師アシスタント : Sébastien Buchmann
- 製作部長 : Jacques Attia
- 報道担当（映画） : François Hassan Guerrar, Aude Thomas, Isabelle De La Baume
- Sound editors : Thomas Desjonquères, Jean Gargonne
- スクリプト : Caroline Saillo
- Stunt performers : Nicky Naudé, Patrick Cauderlier, Michaël Troude
- キャスティング : Françoise Menidrey
- サウンド･ミキサー : Dominique Hennequin
- スチールマン : Bernard Fau
- 演出助手 : Kader Djedra
この映画を見る
Watch Foul Play in VOD
メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 人生ドラマ
- テーマ : 詐欺
- 言語 : フランス語
- その他の国の共同制作者 : フランス (100.0%)
興行収入・公開作品
ニュース＆アワード
映画祭でのセレクション (4)
About
To reduce “Foul Play” to a tell-all game involving a handful of celebrity actors would be to get it wrong. It is first and foremost a story about humanity. When the film goes over the top, as it occasionally does, it is always in a way that seems natural, a bit like the films of Mocky, who never made a virtue of sobriety. Dridi sets out to strip down the mechanisms of social humiliation in whatever milieu it occurs. He also sets out to tell a modern love story, set in circumstances that are actually quite down-to-earth and universal, no matter how outlandish they may seem. It is also about trusting the tool of cinema, for better or for worse, in all its magic and rawness. A straightforward film-maker, Dridi also knows how to have fun with flair, as can be seen in the unforgettable “magic mushrooms” sequence. “Foul Play” is a complicated film by a guy with ideas, bouncing with rare health and overpowering at times, but only because it’s so affectionate. And of course, that’s exactly why Karim Dridi is so interesting — because he’s impetuous. (Olivier Séguret in “Libération”, November 25th 1998)
