あらすじ
Martin is a restless philosophy teacher. He's tired of teaching and can't get to work on the book he's hoping to write. He's also disturbed by the happiness of his ex-wife. Martin's crisis takes a turn when he meets Cecilia, a young woman suspected of driving an artist to his death. To his surprise, Martin develops a sexual rapport with the far-from-intellectual Cecilia. He claims he's bored, yet continues to see her. He is irritated but fascinated by Cecilia's uncomplicated attitudes toward love, life and sex. His ex-wife becomes a reluctant confidant and privileged spectator of the passion which slowly undermines Martin's certainties.
クレジット
監督 (1)
俳優 (16)
映画製作・配給会社 (5)
- 製作代表 : Gemini Films
- 共同製作 : IMA Productions
- 海外製作作品 : Madragoa Filmes
- Film exports/foreign sales : Gemini Films
- フランス国内配給 : Gemini Films
クレジットタイトル詳細 (22)
- 製作代表 : Paulo Branco
- Screenwriters : Cédric Kahn, Laurence Ferreira Barbosa
- フォトディレクター : Pascal Marti
- Assistant directors : Thomas Alfandari, Valérie Megard
- 編集担当 : Yann Dedet
- Sound recordists : Jean-Paul Mugel, Dominique Hennequin, Fabien Adelin
- Costume designer : Françoise Clavel
- 原作者 : Alberto Moravia
- 共同製作 : Georges Benayoun
- Sound assistant : Sophie Laloy
- 撮影技師アシスタント : Julien Bureau
- Production managers : Philippe Saal, Antoine Beau
- 報道担当（映画） : Agnès Chabot
- 音声編集担当 : Pascal Villard
- Assistant editors : Marie Da Costa, Julie Pelat, Juliette Urbain
- スクリプト : Camille Brottes
- 装飾 : François Abelanet
- スタントマン : Daniel Vérité
- キャスティング : Antoinette Boulat, Antoine Carrard, Sarah Teper
- サウンド･ミキサー : Dominique Hennequin
- スチールマン : Jean-Claude Lother
- 演出助手 : Jean-Dominique Chouchan
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メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 心理ドラマ
- 言語 : フランス語
- 出身 : ポルトガル, フランス
- Original French-language productions : はい
興行収入・公開作品
French-speaking Switzerland
TOKYO
ニュース＆アワード
映画祭でのセレクション (10)
Melbourne French Film Festival
オーストラリア, 2000
選出作品
代表団 (1)
About
Laurence Ferreira Barbosa, who worked on the casting of “Le Bar des rails”, advised me to read “La Noia” by Alberto Moravia. She thought the novel had elements in common with my film, about a mute youngster and a grownup. I was hooked from page one and I couldn’t put it down. I devoured it like a thriller. I had no intention of making a film version but the book wouldn’t let me go. Every time I started to write a story, I realized it always came back to a female character who makes a man crazy with dependence on her. I ended up believing that this was the story I wanted to tell. But the real, deep reasons are still unclear. I’m like Martin, the main character, with Cecilia. I made the film to find out why I had to do it. (Cédric Kahn in “Positif” magazine, December )
