Blue All The Way To America
あらすじ
Victim of a terrible accident, overnight the young Camille Balaise finds himself in another world; that of rehabilitation. His life till now no longer counts, what is to become of him he does not know. Cut off from the outside world, he must adapt to the bizarre universe of corridors, basements and dark passage-ways that make up this strange, sprawling town-like hospital, overseen by the fiery Dr Helpos. Following a dangerous and derisory initiation rite, Camille becomes part of the community known as the "wrecks", those who on the fringes of medical regulation dictate their own laws.
クレジット
Director (1)
俳優 (33)
映画製作・配給会社 (3)
- 製作代表 : Alta Loma Films, MACT Productions
- Co-productions : STUDIOCANAL, Arte France Cinéma
- French distributors : Little Big Films, Noria Films
クレジットタイトル詳細 (17)
- Screenwriter : Sarah Lévy
- フォトディレクター : Jean-Max Bernard
- 作曲家 : Ramon Pipin
- Editor : Jacqueline Mariani
- 録音技師 : Pierric Guennegan
- Costume designer : Bernadette Strassmann
- 撮影技師アシスタント : Jean-Yves Bruyas
- 製作部長 : Bruno Duron
- 報道担当（映画） : Dany Martin
- 音声編集担当 : Tristan Essyad
- スクリプト : Maureen Meyer
- 装飾 : Jean-Vincent Puzos
- Art director : Ana Montañana Alba
- サウンド･ミキサー : Jean Holtzmann
- スチールマン : Jean-Claude Moireau
- 演出助手 : Christian Vandelet
メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- 言語 : フランス語
- その他の国の共同制作者 : フランス
- Original French-language productions : 不明
- 製作国 : 100％フランス (フランス)
興行収入・公開作品
興行収入
このコンテンツは登録ユーザー専用です。
会員登録はお済みですか？コンテンツを見るにはログインしてください。
テレビ放送
このコンテンツは登録ユーザー専用です。
会員登録はお済みですか？コンテンツを見るにはログインしてください。
International releases
ニュース＆アワード
About
I decided long ago that "Blue All the Way to America" would be my first feature film, and it was thanks to Didier Boujard and Martine de Clermont that this became a reality. My motivation for making it was not just that it was based on personal experience. As a scriptwriter I had already worked on very different subjects and this one, to my knowledge, had been rarely written about. It was an opportunity to write about a universe unknown to most of us yet right there in the midst of us. In order to describe this microcosm hidden behind the walls of rehabilitation centers, I had to abandon the documentary approach for something different, verging on the fantastic. I had to throw away good taste and write an adventure film about revenge, love, conflicts and betrayal. Action, violence and movement could seem paradoxical in a film about the physically disabled. Only superficially. Because in the particular world I am describing - much more than elsewhere - reality far outstrips fiction.
Sarah Lévy - Director
