Les Convoyeurs attendent
あらすじ
Robert lives in a suburb in northern France with his wife and children, Michel (15 years old) and Louise (8). He earns a modest living as a photographer with the local newspaper, eavesdropping on police frequencies, stalking human interest stories, and rushing to the site of road accidents. He doesn't have much time to think about moral issues. And yet, as the year 2000 dawns, Robert wants to make it big. He wants to get into the record books and win the car promised by the local chamber of commerce. Any exploit will do the trick.
クレジット
監督 (1)
俳優 (11)
映画製作・配給会社 (4)
- 製作代表 : K-Star
- 海外製作作品 : K2 Productions
- Film exports/foreign sales : Tamasa Distribution
- フランス国内配給 : Mars Distribution
クレジットタイトル詳細 (16)
- 製作代表 : Dominique Janne
- シナリオライター : Benoît Mariage
- フォトディレクター : Philippe Guilbert
- 作曲家 : Stéphane Huguenin, Yves Sanna
- 編集担当 : Philippe Bourgueil
- 録音技師 : Olivier Hespel
- Costume designer : Anne Fournier
- Sound assistant : Hélène Lamy Au Rousseau
- Production manager : Françoise Hoste
- 報道担当（映画） : Laurence Granec, Karine Ménard
- Sound editors : Philippe Bluard, Anne Frey
- 装飾 : Chris Cornil
- キャスティング : Patrick Hella
- フランスの配給会社 : Stéphane Célérier
- サウンド･ミキサー : Philippe Baudhuin
- Location managers : Marc Dalmans, Benoït Bertuzzo
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メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- 言語 : フランス語
- 出身 : フランス, ベルギー
- Original French-language productions : はい
- 製作国 : 大部分フランス (フランス, ベルギー)
興行収入・公開作品
ニュース＆アワード
映画祭でのセレクション (11)
Melbourne French Film Festival
オーストラリア, 2000
選出作品
受賞 (1)
About
"Les Convoyeurs attendent" is often categorized as a contemporary social fable. It's true that today's lack of spirituality lies at the heart of the film. The protagonists go through life without thinking or reflecting, just like the world in which they move – like the door that opens and closes. But this social backdrop is only there to reveal the family, because the film is above all about a father – about his silence, his fears, his emptiness. We can't help loving him despite his foolishness, his lack of judgment and his inability to communicate. The same you way can love Don Quixote for tilting at windmills. The enormous energy wasted by Roger Closset moves me and makes me laugh, even if the laughter sometimes sounds politely despairing.
Benoît Mariage – Director
