あらすじ
An honorable man is murdered because he knew too much about the dreadful deeds of the ruling class who puts gain before any human consideration. A happy family is destroyed by this murder. The son plunges into the heart of the tragedy and finds himself facing a double mission: he must honor his dead father by making his killers pay with their own blood and re-establish family harmony.
クレジット
監督 (1)
俳優 (11)
映画製作・配給会社 (3)
クレジットタイトル詳細 (11)
- 製作代表 : Guy Marignane
- Screenwriters : Gérard Blain, Michel Marmin, Wilhelm Bérard
- フォトディレクター : Daniel Gaudry
- 作曲家 : Jean-Pierre Stora
- 監督補佐 : Jean-Louis Bouchaud
- 編集担当 : Olivier Mauffroy
- Costume designer : Claire Risterucci
- 報道担当（映画） : Dany Martin
- スクリプト : Sophie Matalou
- 装飾 : Vincent Mateu
- スチールマン : Anne-Claire Cieutat
この映画を見る
Watch So Be It in VOD
メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : ドラマ
- 言語 : フランス語
- その他の国の共同制作者 : フランス (100.0%)
- Original French-language productions : 不明
興行収入・公開作品
International releases
ニュース＆アワード
映画祭でのセレクション (2)
Lisbon - French Film Festival
ポルトガル, 2000
シネマテークプログラム 新しいフランス映画
About
I’ve always found something familiar about the tragic universe of Federico Garcia Lorca’s plays and poetry. The first record I ever bought, in 1953, was “Chant Funèbre” recited by Marcel Lupovici, and that’s the old recording heard in the film, a little scratched with age but every bit as moving. Why did I use it? Because I thought the inner pain experienced by Régis, caused by his father’s death, found its ideal expression and perfect identification in Garcia Lorca’s text. What’s more, I can tell you that the tears in Régis’s eyes as he listened to the poem aren’t faked. For that matter, I probably have an obsession with death that I myself don’t really understand. In all my movies there are cemeteries, tombs, burials. Maybe because I think of death like a good friend, a good person, but supremely unjust.
Gérard Blain, director – excerpt from press kit
