あらすじ
Paris, August 1997. The World Youth Days are in full swing, and the Pope is in paris for a few days. When Jason, his first son, is born, Jonas, aged 23, finds himself entrusted with a mission that stems from an ancestral tradition. After a crazy night and a series of misunderstandings, will Jonas complete his misssion?
クレジット
監督 (1)
俳優 (24)
映画製作・配給会社 (4)
- 製作代表 : Les Films du Bois Sacré
- Co-productions : mk2 films, Arte France Cinéma
- Film exports/foreign sales : mk2 films
- フランス国内配給 : mk2 films
クレジットタイトル詳細 (14)
- 製作代表 : Fabrice Guez, Marin Karmitz, Dante Desarthe
- Screenwriters : Dante Desarthe, Fabrice Guez, Agnès Desarthe
- フォトディレクター : Laurent Machuel
- 作曲家 : Krishna Levy, David Lescot, Bratsch (Groupe)
- Assistant directors : Jérôme Borenstein, Simon Rooke
- Editor : Martine Rousseau
- 録音技師 : Dominique Lacour
- Costume designer : Anne Schotte
- 製作部長 : Pascal Lahmani
- 報道担当(映画) : Michèle Abitbol-Lasry, Séverine Lajarrige
- Sound editor : Corinne Rozenberg
- スクリプト : Anne Wermelinger
- サウンド・ミキサー : Olivier Dô Hûu
この映画を見る
Watch Dad on the Run in VOD
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : コメディー
- テーマ : 宗教
- 言語 : フランス語
- その他の国の共同制作者 : フランス
興行収入・公開作品
テレビ放送
このコンテンツは登録ユーザー専用です。
会員登録はお済みですか?コンテンツを見るにはログインしてください。
ニュース&アワード
映画祭でのセレクション (2)
About
August, 2000. Just got back from San Francisco, where “Dad on the Run” opened the Festival at the Castro Theater. My eyes weren’t fooling me: there were 1500 people, all thrilling to the beat of my movie up there on the giant screen. Just five months after it opened quietly in Paris to a politely lukewarm reception, now I felt galvanized and energized. “This is how films should be shown,” I said to myself. “In special conditions, where the mood can really get through.” Fortunately, there were film buyers in the audience. People came up to me after the screening and discussed their reactions. They all said how much they loved the movie, and what a hit it would be when it opened. I didn’t have the nerve to tell them that it had already opened in France and hadn’t done too well. After this uplifting experience, I half-seriously considered taking up a career in marketing. But then again, no. Better make another movie. Given the choice...
Dante Desarthe, Director