あらすじ
Berlin, 1937. The Fascists are rising to power inexorably. Marion von Kammer watches helplessly as the Nazis destroy the little theater where she performs outlawed songs. Disgusted by what Berlin has become, she leaves for Zurich with her mother and Tilly, her sister. Tilly, who has left her lover behind, is wretched. Marion moves once again, to Paris, where she meets Martin. Together they broadcast anti-Fascist propaganda on a German-language radio station, and Marion sings her outlawed songs in a small Paris bar. But Fascist ideology is extending its tentacles everywhere.
クレジット
監督 (1)
俳優 (6)
映画製作・配給会社 (3)
クレジットタイトル詳細 (10)
- 製作代表 : Ottokar Runze
- Screenwriters : Rebecca Hughes, Ursula Grutzmacher-Tabori, Ottokar Runze
- フォトディレクター : Michael Epp
- 作曲家 : Friedich Hollaender, Bob Lenox
- 編集担当 : Rebecca Runze
- Costume designer : Suse Braun
- 原作者 : Klaus Mann
- 共同製作 : Antoine De Clermont-Tonnerre
- 報道担当(映画) : Sophie Rambal
- 装飾 : Bernd Gaebler
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- 言語 : フランス語, ドイツ語
- 出身 : ドイツ, フランス
- Original French-language productions : 不明
- 製作国 : ごく一部フランス (ドイツ, フランス)
興行収入・公開作品
テレビ放送
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ニュース&アワード
映画祭でのセレクション (1)
About
I was still a child in the Berlin of the 1920s and '30s. We lived outside of town and didn't see much of the Berlin described by Klauss Mann. Before Hitler came to power, the '20s and '30s were clearly a happy time for artists and writers. A certain political instability favored artistic creativity. The whole world considered Berlin a creative, carefree, joyful place to live. The film clearly shows how German artists exiled to Paris suffered by being separated from "their" Berlin. They also suffered from not being able to express themselves in their own language. That is what Martin and all exiled writers suffer.
Ottokar Runze – Director