あらすじ
Movie about the Jean-Marie Straub's film practice.
In a cinema, every week, we screen movies which a woman and a man made. The man, Jean-Marie Straub, was there, at almost all the sessions. Us too. We where there. And there, in a dark room: our eyes where opened.
This movie problematic the complex relationship which exists between the movies themselves and a possible word about them. The question amounts to these words: is it possible to speak about movies without betraying the event which took place for the public, during the reception of the images and the sounds? This question, Jean-Marie Straub asked himself every evening.
In spite of the documentary character of the situation, the movie tells the story of a double meeting, two moments which remain inflexible one to another and which nevertheless existed in the same place: the meeting of a glance with movies and that of a public with words.
クレジット
映画製作・配給会社 (1)
- 製作代表 : Aapm
クレジットタイトル詳細 (5)
- フォトディレクター : Minh Sourintha
- Editors : Rudolf Di Stéfano, Sol Suffern-Quirno
- 録音技師 : Martin De Torcy
- Sound editors : Rudolf Di Stéfano, Sol Suffern-Quirno
- サウンド・ミキサー : Emmanuel Soland
技術面詳細
- タイプ : 短編映画
- ジャンル : ドキュメンタリー
- サブジャンル : 創作ドキュメンタリー, 人物描写, 探求-実験
- テーマ : シネマ
- 言語 : フランス語
- その他の国の共同制作者 : フランス
- Original French-language productions : 不明
- 製作国 : 100%フランス (フランス)
- 製作年 : 2009
- 上映時間 : 54 分
- ニュメロ·デ Visa : 125.454
- ビザ発行日 : 06/04/2010
- 生産のフォーマット : ミニDV
- カラータイプ : カラー
- 画面セット : 1.37
- Audio format : ステレオ
- 禁止 : なし
発見できる映画と番組
MyFrenchShorts
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Tender Age, by Julien Gaspar-Oliveri
Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.


























