あらすじ
Rio de Janeiro, Shanghai, Tokyo, Berlin, Moscow, Addis-Abeba, Cairo: Raymond Depardon brings his gaze to bear on cities that he has, in the majority, already photographed, with this habit of returning to the scene of the crime, to compare his successive gazes.
クレジット
監督 (1)
映画製作・配給会社 (1)
- 製作代表 : Palmeraie et Désert
クレジットタイトル詳細 (3)
- フォトディレクター : Raymond Depardon
- Editors : Raymond Depardon, Gwénola Heaulme
- Production manager : Claudine Nougaret
メディアギャラリー
技術面詳細
- タイプ : 短編映画
- ジャンル : 実験映画
- 言語 : セリフなし
- その他の国の共同制作者 : フランス
- Original French-language productions : 不明
- 製作国 : 100％フランス (フランス)
- 製作年 : 2004
- 上映時間 : 35 分
- ニュメロ·デ Visa : 111.291
- ビザ発行日 : 25/02/2005
- 生産のフォーマット : 16ミリ
- カラータイプ : カラー
- 画面セット : 1.66
- Audio format : ステレオ
- 禁止 : なし
ニュース＆アワード
About
This installation of seven, 5-minute films conceived in 2004 for the Fondation Cartier pour l'Art Contemporain was complemented by the presentation of two short films, New York, NY (10 mins), Ian Palach (12 mins), and a 4-minute extract of Raymond Depardon's feature film Paris. In 2006, the MOT (Museum of Contemporary Art Tokyo) exhibited the Fondation Cartier's collection. On this occasion, the 7x3 installation was shown in a new version, which included the seven cities filmed by Depardon, with New York added to the collection.
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Tender Age, by Julien Gaspar-Oliveri
Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.
