あらすじ
Rien que les heures is the first of the cinema’s "city symphonies", a non-fiction genre that seeks to capture the daily life of a city in all its dusk-to-dawn diversity. Cavalcanti’s film about Paris combines the fictional and the factual in a fascinating hybrid form, employing superimpositions, split screen, wipes, and an assortment of other effects, as well dramatized scenes. One of the major achievements in French avant-garde cinema and a still topical “document about the lack of work, about the lives in miserable places.” (Cavalcanti)
クレジット
監督 (1)
俳優 (4)
映画製作・配給会社 (3)
- 製作代表 : Néo-Films
- Film exports/foreign sales : Les Films du Jeudi
- フランス国内配給 : Etablissements Louis Aubert
クレジットタイトル詳細 (4)
- 製作代表 : Pierre Braunberger
- シナリオライター : Alberto Cavalcanti
- フォトディレクター : James E. Rogers
- 編集担当 : Alberto Cavalcanti
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技術面詳細
- タイプ : 短編映画
- ジャンル : 実験映画
- 言語 : サイレント
- その他の国の共同制作者 : フランス
- Original French-language productions : 不明
- 製作年 : 1926
- 上映時間 : 47 分
- 生産のフォーマット : 35ミリ
- カラータイプ : 白黒
- 画面セット : 1.33
- Audio format : サイレント
発見できる映画と番組
MyFrenchShorts
Full film to discover (with English-subs)
In the maternity ward, Céline awaits the arrival of her first child. It is Jeanne, her partner, who will bring her into the world. At night, in the entrance hall of the hospital, she meets men who are waiting, like herself.
🏆 This short film won the César Award 2024 for Best Short Film (Fiction)