あらすじ
In August 2023, Elsa Pennachio and Étienne de Villars were in residence at the Studio Image et Mouvement at SAS des Baumettes prison to introduce, through a writing project, inmates training in cinema and audiovisual arts to film and 16mm. They brought with them a model of a building and a rear window overlooking a courtyard. Together with the inmates, they would imagine and write stories born from the inner voices that inhabit this imaginary block of apartments. The window thus provided a screen that allowed for both anonymity through silhouettes and the unveiling of words. The film evokes, in a dreamlike way, cohabitation and solitude within the same building. Through the choice of a room and a story to tell, the window allows for the expression of unique identities. While some inmates allude to prison in the texts they write, others choose to talk about their neighborhood or their native country. The noise produced by a zealous handyman connects all the windows of the building, ultimately damaging its structure.
クレジット
映画製作・配給会社 (2)
- 製作代表 : Lieux Fictifs
- Film exports/foreign sales : Lieux Fictifs
クレジットタイトル詳細 (9)
- 製作代表 : Caroline Caccavale
- Screenwriters : Elsa Pennachio, Étienne de Villars
- 作曲家 : Anouar Brahem
- Editor : Elsa Pennachio
- 録音技師 : Étienne de Villars
- 音声編集担当 : Étienne de Villars
- 装飾 : Yasine El Mzaoug
- データ作成者 : Elliott Mattiussi
- サウンド･ミキサー : Hugo Debrie
メディアギャラリー
技術面詳細
- タイプ : 短編映画
- ジャンル : ドキュメンタリー, 実験映画
- テーマ : 刑務所
- 言語 : フランス語
- その他の国の共同制作者 : フランス
- Original French-language productions : 不明
- 製作国 : 100％フランス (フランス)
- 製作年 : 2024
- 上映時間 : 13 分 32 秒
- 生産のフォーマット : 16ミリ
- カラータイプ : 白黒
- 画面セット : 1.66
- Audio format : 5.1
- 禁止 : なし
ニュース＆アワード
ニュース (3)
映画祭でのセレクション (1)
International Short Film Festival Oberhausen
ドイツ, 2025
国際コンペティション
Children's and Youth Film Competition
受賞 (2)
International Short Film Festival Oberhausen
ドイツ, 2025
Mention du jury du ministère des Sciences et de la Culture du Bas-Rhin
代表団 (1)
MyFrenchShorts
Full movie to watch for free!
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César is 12 when his older sister Lou is sexually assaulted. In the changing rooms of the fencing classes he attends, everything is measured by the yardstick of violence. César would like to take part in every fight, but he doesn’t have the weapons.
