The Unabsorbed Past
あらすじ
In a laboratory, a wind turbine blade oscillates. The more it approaches exhaustion, the more it seems to reveal a form of vitality, while its digital twin continues its tireless rotation. A crate of pitayas, two postcards from the colonial era, and the approach of a typhoon quietly shift the coordinates of the place.
At the edge of the plantations, wind turbines, artificial lights, birds, winds, and infrastructures compose a landscape where human and non-human memories gradually cease to be distinguishable. An abandoned blade recalls a stranded whale. An engineer offers it a final salute.
In the forest of machines, the master of the Nuo continues a ritual procession for the multispecies disturbances still carried by the winds. The ghosts of yesterday continue to inhabit the infrastructures of today.
クレジット
映画製作・配給会社 (1)
クレジットタイトル詳細 (10)
- 製作代表 : François Bonenfant
- 作曲家 : Yi Zhang, Hwasong Lim
- シナリオライター : Yi Zhang
- フォトディレクター : Nu Ha
- 録音技師 : Hwasong Lim
- Editors : Charles Tristram, Yi Zhang
- Sound editors : Benjamin Poilane, Jülide Tüfenk
- アニメーション : Nu Ha, Yi Zhang, Aurélien Binauld, Yihan Wang
- サウンド･ミキサー : Yannick Delmaire
- : Yi Zhang
メディアギャラリー
技術面詳細
- タイプ : 短編映画
- ジャンル : ドキュメンタリー
- その他の国の共同制作者 : フランス
- Original French-language productions : 不明
- 製作年 : 2026
- 上映時間 : 26 分
- カラータイプ : カラー
ニュース＆アワード
映画祭でのセレクション (1)
IDFA - International Documentary Film Festival Amsterdam
オランダ, 2026
IDFA Competition for Short Documentary
MyFrenchShorts
Full movie to watch for free!
Tender Age, by Julien Gaspar-Oliveri
Sixteen-year-old Diane exists exclusively through her mother's gaze. But this intensely close bond between Diane and her mother, Sophie, is becoming increasingly problematic for the teenager. At high school, she would like to be loved like she is at home and expresses it in an awkward way like when she exchanges a favor for a look, in the toilets. A loudmouth, provocative, and seeking attention, Diane tries to stand apart from her mother and wishes, during a weekend, to live like an adult.
