"Although normally photographed films and animated films are distinctly different both in the way they operate and in their basis principles, they are nevertheless periodically subject to mutual infiltrations and interferences. For the last two decades my interest has been focused on these undelineated boundaries, this no-man's-land of film-making. "Harpya" was the first tangible result. Its successor, the full lenght film "Taxandria", makes use of high-definition digitalisation to unite the two families of the moving image in a perfect marriage. But "Taxandria" is also, perhaps first and foremost, a clarion call for freedom of speech and tolerance !"

(Raoul Servais)