あらすじ
"Les Milles" is a former Provençal brick-works transformed into an internment camp in June 1940 for German, Austrian, Polish and Jews refugees... Among them, two Nobel Prize winners, artists, intellectuals. Charles Perrochon, the French commander of "Les Milles", is in charge of protecting them. But the day France signs Article 9 of the cease-fire, the government decides to hand over the refugees to the Nazis. Perrochon refuses to comply and, at the risk of being court-martialled, charters a train and a boat to try to get the refugees to Morocco.
クレジット
監督 (1)
俳優 (23)
映画製作・配給会社 (5)
- 製作代表 : Île Productions
- 共同製作 : France 2 Cinéma
- Foreign production companies : Héritage Films, Studio Babelsberg
- Film exports/foreign sales : Wide
- フランス国内配給 : Ciby Distribution
クレジットタイトル詳細 (17)
- 製作代表 : Raymond Blumenthal
- Screenwriters : Sébastien Grall, Jean-Claude Grumberg
- フォトディレクター : Andrzej Jaroszewicz
- 作曲家 : Alexandre Desplat
- Assistant directors : Sonia Larue, Alain Peyrollaz
- Editor : Joële Van Effenterre
- 録音技師 : Louis Gimel
- Costume designers : Jacqueline Bouchard, Malgorzata Stefaniak
- 音声アシスタント : Marc-Antoine Beldent
- 撮影技師 : Pierre Laurent Chenieux
- 製作部長 : Jean-Marc Deschamps
- 報道担当（映画） : Dominique Segall
- Assistant editor : Christine Marier
- スクリプト : Zoé Zurstrassen
- Production Designers : Valérie Grall, Wladyslaw Bielski
- Sound mixers : Manfred Arbter, Anne Le Campion, Renaud Michel
- スチールマン : Renata Pajchel
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メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 歴史的
- 言語 : フランス語
- 出身 : フランス, ポーランド, ドイツ
- Original French-language productions : 不明
- 製作国 : 大部分フランス (フランス, ポーランド, ドイツ)
- 製作年 : 1995
- フランス公開 : 23/08/1995
- 上映時間 : 1 時間 43 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 84.053
- ビザ発行日 : 07/04/1995
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- 画面セット : 1.85
興行収入・公開作品
ニュース＆アワード
映画祭でのセレクション (1)
About
"In late November 1995, a French delegation attended the 2nd Shanghaï International Film Festival. My film "A Man of Duty", represented France in competition.
There were tens of thousands of people packled into the city's theatres to see films from around the world and, in particular, "our" films, which leads me to think that the omnipresence of American cinema can be avoiled in China if we react in time.
"A Man of Duty" is the story of an internment camp or foreigners in france in 1940. I was a little concerned about how they would understand this. Yet on seeing their reactions, I realized they were moved. As proof of this, Jean-Pierre Marielle was awarded the Best Actor Prize.
So why such an attachment to this film ? A Chinese filmmaker friend told me that modern China still bears the scars of the "cultural revolution". And "A Man of Duty" shows an army officer rebelling against the fate reserved for artists threatened with death. For this friend, it was obvious that the Shanghaï audience saw the film as a rehabilitation of persecuted artists.
China is definitely not a democracy but the decision to screen "A Man of Duty" was, in a certain way, the Chinese authorities way of recognizing their past mistakes.
The film's reception also showed the audience's deep-seated desire to see the country become more liberal. I couldn't have hoped for a finer tribute."
(Sébastien Grall)
