あらすじ
A husband in love and a wife satisfied by this love; yet they won't be happy, at least in the conventional sense of the word. For the husband is so in love he becomes a little paranoid and the wife, a slightly neurotic Hitchcock heroine, is so charmed that this shocks her. Therefore, in a distinctly matrimonial manner, they embark upon a dual process of destruction that can be nothing but mercilessly comical.
クレジット
Director (1)
俳優 (5)
映画製作・配給会社 (4)
- 製作代表 : Arion Productions
- 共同製作 : Baccara Productions
- Foreign production companies : Post Scriptum 2, Amidon Peterson, Grupo de Estudos e Realizacoes (G.E.R.)
- フランス国内配給 : Les Films de l'Atalante
クレジットタイトル詳細 (12)
- 製作代表 : Patrick Sandrin
- Screenwriters : Raoul Ruiz, Valeria Sarmiento
- フォトディレクター : Stephan Ivanov
- 作曲家 : Jorge Arriagada
- 編集担当 : Rodolfo Wedeles
- Sound recordists : Ludmila Machalnichk, Alain Garnier
- Costume designers : Boriana Semejieva, Mathilde Matos
- 原作者 : Mercedès Pinto
- Co-producers : Chantal Perrin, Pierre-Alain Meier, Joaquim Pinto
- Production manager : Catherine Jacques
- 報道担当(映画) : Marie Queysanne
- Production Designers : Thierry Flamand, Giorgy Todorov
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 心理ドラマ
- 言語 : フランス語
- 出身 : ブルガリア, スイス, ポルトガル, フランス
- Original French-language productions : 不明
- 製作国 : 大部分フランス (ブルガリア, スイス, ポルトガル, フランス)
- 製作年 : 1995
- フランス公開 : 12/06/1996
- 上映時間 : 1 時間 26 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 84.701
- ビザ発行日 : 10/05/1995
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
ニュース&アワード
映画祭でのセレクション (1)
About
"The thing I liked, in addition to the screenplay and its style, was the variation suggested by Valéria Sarmiento in the title. By adding an ironic "le" and transforming Bunuel's macho "El" into a glorious, female "El-Le", she aimed to analyse the neurosis resulting from this role reversal and fresh confrontation. A man depossessed, not only of the title role, but also, as a result, of his attributes. The analysis of this jealousy suddenly becomes derisory and pathetic or even infantile, since it concerns a man who has lost his title and who continues to dread the loss of his wife, the very object of a status that no longer exists."
(Didier Flamand - Actor)