あらすじ
Joao de Deus spends his days quietly. He divides his time between his job at the Paradis Ice Cream Parlour where, to everyone's satisfaction and delight, he not only carries out his duties as manager, but also invents the house-speciality, the renowned "Paradis" ice-cream; and his home, where he invariably spends his free time alone, either doing the housework or lovingly going through his collection of female, pubic hairs in a treasured album which he calls his Book of Thoughts.
クレジット
監督 (1)
俳優 (10)
映画製作・配給会社 (3)
- Co-productions : Pierre Grise Productions, Taïnos Prod, Arte France Cinéma
- Foreign production companies : Grupo de Estudos e Realizacoes (G.E.R.), Mikado Film, Zentropa Entertainment
- フランス国内配給 : Pierre Grise Distribution
クレジットタイトル詳細 (10)
- シナリオライター : Joao Cesar Monteiro
- フォトディレクター : Mário Barroso
- Editor : Carla Bogalheiro
- 録音技師 : Rolly Belhassen
- Costume designer : Mathilde Matos
- 海外プロデューサー : Joaquim Pinto
- Co-producer : Martine Marignac
- 報道担当（映画） : Marie-Christine Damiens
- 装飾 : Manu de Chauvigny
- サウンド･ミキサー : Jean-François Auger
この映画を見る
Watch God's Comedy in VOD
メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 人生ドラマ
- 言語 : ポルトガル語
- 出身 : ポルトガル (71.0%), フランス (29.0%)
- Original French-language productions : いいえ
興行収入・公開作品
ニュース＆アワード
映画祭でのセレクション (2)
受賞 (1)
About
"(...) Joao César Monteiro belongs to that group of people who disturb others. He both represents and sees "difference". His true home is elsewhere but this "elsewhere" is close to our everyday lives, just other side of a reality made invisible by banality. (...) Portuguese literature and cinema has tried for a long time to discover the secret of the picaresque vision of the world, so cherished by our Spanish neighbours. (...) Monteiro takes us there with such happiness and ease that we don't even have time to realize the miracle that this represents. (...) All this makes Joao César Monteiro a unique figure in modern Portuguese film. With his pitiless, lucid, disenchanted and prophetic vision, he gives it a dimension of strangeness that it previously lacked."
(Edouardo Lourenço - writer)
