あらすじ
Following her mother's suicide, Lucy Harmon, 19, goes to Italy to stay with the Graysons, old friends of her late mother, and to have her portrait painted. She has a dual motive: she is eager to meet up again with the young and handsome Nicolo Donati, who gave her her first kiss four years earlier and to shed some light on a mysterious passage in her mother's diary. Lucy, full of innocence and curiosity, strikes a current of sensuality in the villa that causes upheaval for everyone there...
クレジット
監督 (1)
俳優 (11)
映画製作・配給会社 (5)
- 製作代表 : UGC Images
- 共同製作 : France 2 Cinéma
- Foreign production companies : Fox Searchlight (UK), Recorded Picture Company
- Film exports/foreign sales : STUDIOCANAL
- フランス国内配給 : Fox France
クレジットタイトル詳細 (10)
- 製作代表 : Yves Attal
- Screenwriters : Susan Minot, Bernardo Bertolucci
- フォトディレクター : Darius Khondji
- 作曲家 : Richard Hartley
- 編集担当 : Pietro Scalia
- 録音技師 : Ivan Sharrock
- Costume designers : Louise Stjernsward, Giorgio Armani
- 報道担当(映画) : Jean-Pierre Vincent
- スクリプト : Suzanne Durrenberger
- 装飾 : Gianni Silvestri
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : ドラマ
- 言語 : 英語, フランス語, ドイツ語, イタリア語, スペイン語
- 出身 : イギリス, フランス, イタリア
- Original French-language productions : いいえ
興行収入・公開作品
ニュース&アワード
映画祭でのセレクション (1)
About
"I suppose you know that I've deliberately spent a long time in exile... more than ten years", states Bernardo Bertolucci, the "very" Italian director of such "very" Italian films as "The Conformist" and of course "1900". "I felt that I couldn't find inspiration in my own country; so I decided to go away as far as possible. And I ended up in China where I made "The Last Emperor"... Then, in the 1990's, I felt that things were changing in Italy. It may be naive of me but, whatever, I made my mind up : it was time to go home. And so "Stealing Beauty" tells of the beauty of Tuscany. It's the tale of a confrontation : that of different types of beauty : the beauty of the scenery, the beauty of art, the beauty of a young woman..." (...)".
Interview with Bernardo Bertolucci, by Judy Bachrach - Vanity Fair