I Hate Love
あらすじ
Paris in August. A woman on a scooter. Her name : Annie Simonin. She's a doctor, a GP. Ever elegant, in suit and high-heels, she criss-crosses the 13th district of Paris on home visits. On her scooter, she has time to daydream. And in her dreams she is always more brilliant, more passionate in life and in love. Yet she valiantly does battle with a harsh everyday reality. As a doctor, she give in, neither to a hypochondriac persecutor, Richard Piotr, nor to Laurent Blondel, a young man with AIDS who's given up on life, nor even to the anguish of the wife of a cancer victim whose days are numbered. And when the real troubles start, she tries desperately to find a solution to her problems, in real life, but also in her dreams.
クレジット
Director (1)
俳優 (26)
映画製作・配給会社 (4)
- 製作代表 : Gemini Films
- 共同製作 : France 2 Cinéma
- Film exports/foreign sales : The Bureau Sales
- フランス国内配給 : Rezo Films
クレジットタイトル詳細 (18)
- 製作代表 : Paulo Branco
- Screenwriters : Denyse Rodriguez-Tomé, Laurence Ferreira Barbosa
- フォトディレクター : Emmanuel Machuel
- Assistant directors : Gérald Hustache-Mathieu, Philippe Tourret
- Editor : Emmanuelle Castro
- 録音技師 : Philippe Morel
- Costume designer : Nathalie Raoul
- 音声アシスタント : Yvan Dacquay
- 撮影技師アシスタント : Adrien Angliviel, Laurent Hincelin
- 製作部長 : Sylvain Monod
- 報道担当（映画） : Marie-Christine Damiens
- 音声編集担当 : Jean Dubreuil
- Assistant editors : Marie-France Poulizac, Anne Souriau
- スクリプト : Bénédicte Darblay
- 装飾 : Yves Fournier
- サウンド･ミキサー : Jean-François Auger
- スチールマン : Jean-Claude Lother
- 演出助手 : Jean-Dominique Chouchan
メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- サブジャンル : 人生ドラマ
- 言語 : フランス語
- Original French-language productions : 不明
- 製作国 : 100％フランス
興行収入・公開作品
ニュース＆アワード
映画祭でのセレクション (4)
About
"It sometimes happens in life that people live in danger of their lives. This film has two or three, even three or four, things to say on this matter...
- That love can be scary, even very scary.
- That the fear of love is akin to the fear of death (a question of pain).
- That love (which is not always the feeling one thinks it is) is essential if one is to brave fear and death.
In order to broach these two or three, even three or four, serious matters, this film resorts to methods that are particular, complicated, tortuous, or to be more precise, funny.
(Laurence Ferreira-Barbosa)
