あらすじ
For Alain and his wife Tina, turning thirty is a major event which triggers a whole host of questions: Where am I going in life? Must I give up on my hopes and dreams? What should I let go of, and what should I keep, to make a success of my new adult life? It's all a bit like moving house, which funny as it may seem, is exactly what Alain and Tina are doing.
クレジット
監督 (1)
俳優 (21)
映画製作・配給会社 (4)
クレジットタイトル詳細 (18)
- 製作代表 : Jean-Claude Fleury
- Screenwriters : Olivier Doran, Pierre Amzallag, Didier Sidbon
- フォトディレクター : William Watterlot
- 作曲家 : Manu Katché
- Assistant directors : Pascal Salafa, Anne-Sophie Hervieux, Roxane Andréani
- Editor : Emmanuelle Baude
- 録音技師 : Pascal Jambry
- Costume designer : Rose-Marie Melka
- Executive Producer : Cynthia Fleury
- 撮影技師アシスタント : Jérôme Mauduit, Alexandre Tyl
- 製作部長 : Olivier Pierre Dougoud
- 報道担当（映画） : Michèle Darmon
- Sound editor : Valérie Deloof
- Assistant editors : Marc Boucrot, Eric Dardill
- スクリプト : Nathalie Vierny
- 装飾 : Denis Hager
- キャスティング : Pierre Amzallag
- サウンド･ミキサー : Stéphane Thiébaut
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メディアギャラリー
技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- 言語 : フランス語
- その他の国の共同制作者 : フランス
- Original French-language productions : 不明
- 製作国 : 100％フランス (フランス)
- 製作年 : 1996
- フランス公開 : 18/06/1997
- 上映時間 : 1 時間 30 分
- 経過状況 : 公開済み
- ニュメロ·デ Visa : 90.525
- ビザ発行日 : 02/06/1997
- CNC助成 : はい
- 生産のフォーマット : 35ミリ
- カラータイプ : カラー
- 画面セット : 1.85
興行収入・公開作品
ニュース＆アワード
About
We had spent two months in this building zoned for demolition. On the ground floor : the set workshops and the canteen, on the first : the equipment, on the second: the sets and the apartment, on the fourth: the production office.
We did the entire pre-production in this building, having become its temporary tenants of sorts. Yet my fondest memory is of the dinner we had with the actors on the eve of the first day's shooting, in the apartment which was to serve as the main set. Little by little a magic took hold, and the apartment became ours for a veritable housewarming party. For a few hours we felt really at home, happily partying with friends. It must have been the swiftest housewarmer followed by a moving out in real-estate history. I hope, and I feel that this magic has made its mark on the film. It's an idea which pleases me. (Olivier Doran)
