あらすじ
Charles Cuvelier, age 50, a PR guru in the prime of life, casually presses the button in an old-fashioned elevator. The ad said “Luxury apartment for rent to wealthy bachelor. No dogs”. When the elevator stops suddenly between the 4th and 5th floors, Charles thinks it has just broken down. In fact, like in a video arcade, the game is just beginning. It is set to run for several days. Who is this woman jeering at him from the upstairs landing? Is she the landlady, subjecting him to some weird ordeal, or the Game Mistress? But then, what is the game?
クレジット
監督 (1)
俳優 (3)
映画製作・配給会社 (3)
- Co-productions : Atloyc, Galatée Films
- Foreign production companies : Lamy Films, Integral Films
- フランス国内配給 : Steward
クレジットタイトル詳細 (16)
- Screenwriters : Gabrielle Borile, Benoit Lamy
- フォトディレクター : Charlie Van Damme
- 作曲家 : Bruno Coulais
- Editor : Denise Vindevogel
- Sound recordists : Henri Morelle, Benoît Biral
- Costume designer : Marie Jagou
- Foreign producers : Benoit Lamy, Dagmar Jacobson, Alfred Hürmer
- 原作者 : Henri-Frédéric Blanc
- Associate producers : Jacques Perrin, Michel Fauré
- Co-producer : Jacqueline Pierreux
- 撮影技師 : Yves Vandermeeren
- Sound editor : Gervaise Demeure
- スクリプト : Joëlle Keyser
- Sound mixers : Philippe Baudhuin, Thomas Gauder
- スチールマン : Akki Pfeiffer
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技術面詳細
- タイプ : 長編映画
- ジャンル : フィクション
- 言語 : フランス語
- 出身 : ベルギー, ドイツ, フランス
- Original French-language productions : 不明
- 製作国 : ごく一部フランス (ベルギー, ドイツ, フランス)
興行収入・公開作品
ニュース&アワード
映画祭でのセレクション (2)
Moscow - International Film Festival
ロシア, 1999
パノラマ
About
In a society with no plans for the future and no ideology, all that remains is game-playing. It’s the new bonding agent for human relations, in which the operative rule is “Dog eat dog”. “Wild Games” could be a contemporary fable, not about the human condition but merely about the experiences of a man and a woman embroiled in a game of which they want to write the rules, minute by minute. It is a hand-to-hand combat, a game of power and helplessness, seduction and repulsion, sincerity and manipulation that oscillates, like life, between tragedy and comedy. (Benoit Lamy excerpt from press kit)